Enfilade

Lectures at The Clark, Spring 2018

Posted in lectures (to attend) by Editor on February 8, 2018

A selection of lectures this spring at The Clark in Williamstown, MA (in addition to those associated with the exhibition Drawn to Greatness: Master Drawings from the Thaw Collection). . .

Lauren Cannady | Rococo Thought Patterns
13 February 2018, 5:30pm

If eighteenth-century curiosity cabinets were repositories for the dead and ossified, the garden was a parallel cabinet that provided a space for the viable, for living curiosities. Given that the organizing principle of the garden parterre was applied not only to plants, but equally to naturalia in the cabinet, this lecture will map the ways in which pattern and design within these different spaces served as one model in early modern empirical thinking and knowledge transmission.

Lauren R. Cannady is assistant director of the Research and Academic Program and Manton Research Fellow at the Clark Art Institute. She was previously a fellow at the Metropolitan Museum of Art, the Deutsches Forum für Kunstgeschichte in Paris, and the Columbia University/NYU Consortium for Intellectual and Cultural History. She has published on eighteenth-century aesthetic philosophy and systems of the decorative and is preparing a book manuscript titled Natural Seduction: Thinking through the Early Modern French Garden. Her second project considers artisanal practice, collaboration, and exploitation in the global eighteenth century.

Nina Dubin | Master of the World
17 April 2018, 5:30pm

In the wake of the world’s first international financial crisis, Cupid claimed pride of place in French eighteenth-century art. The naked, winged infant deity personified not only the folly of love, but also the forces of inconstancy, mutability, and flightiness that were viewed as hallmarks of a modernizing credit economy.

Nina Dubin is associate professor of art history at the University of Illinois at Chicago and the author of Futures & Ruins: Eighteenth-Century Paris and the Art of Hubert Robert (Los Angeles: Getty Research Institute, 2010; 2012). Her work has been supported by institutions including the Getty Research Institute and the Center for Advanced Study in the Visual Arts at the National Gallery of Art, where she was a Samuel H. Kress Senior Fellow from 2013 to 2014. A specialist in European art since 1700, she is currently writing a book on love letter pictures in eighteenth-century France.

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