Material Fictions, Special Issues of ECF, 2018–19

Posted in journal articles by Editor on September 24, 2018

The editors are pleased to announce the upcoming publication of a special issue of Eighteenth-Century Fiction:

Material Fictions, a Special Issue of Eighteenth-Century Fiction
Edited by Eugenia Zuroski (McMaster University) and Michael Yonan (University of Missouri)

Eugenia Zuroski and Michael Yonan, Material Fictions: A Dialogue as Introduction

Articles in Part 1 — ECF 31.1 (Fall 2018)

• Elizabeth Kowaleski Wallace, ‘Character Resolved into Clay’:  The Toby Jug, Eighteenth-Century English Ceramics, and the Rise of Consumer Culture
• Emily M. West, Animal Things, Human Language, and Children’s Education
• Freya Gowrley, Craft(ing) Narratives: Specimens, Souvenirs, and ‘Morsels’ in A la Ronde’s Specimen Table
• Conny Cassity, Caught by the Throat: Anti-slavery Assemblages in Paul et Virginie and Belinda
• Emma Newport, The Fictility of Porcelain: Making and Shaping Meaning in Lady Dorothea Banks’s ‘Dairy Book’
• Joann Gohmann, Colonizing through Clay: A Case Study of the Pineapple in British Material Culture
• Tili Boon Cuillé, Of Mind and Matter in Charles Duclos’s Acajou et Zirphile
• Emma Peacocke, Puppets, Waxworks, and a Wooden Dramatis Personae: Eighteenth-Century Material Culture and Philosophical History in William Godwin’s Fleetwood

Articles in Part 2 — ECF 31.2 (Winter 2019), forthcoming

• Chloe Wigston Smith, Bodkin Aesthetics: Small Things in the Eighteenth Century
• Timothy Campbell, Soft Materiality: Dress and Material Fiction in T.S. Surr’s A Winter in London
• Tracey Hutchings-Goetz, The Glove as Fetish Object in Eighteenth-Century Fiction and Culture
• Alicia Kerfoot, Virtuous Footwear: Pamela’s Shoe Heel and Cinderilla’s ‘Little Glass Slipper’
• Samuel Diener, Eighteenth-Century Pipes and the Erasure of the Disposable Object
• Ula Lukszo Klein, Dildos and Material Sapphism in the Eighteenth Century
• Alicia Caticha, ‘Neither Poets, Painters, nor Sculptors’: Classical Mimesis and the Art of Female Hairdressing in Eighteenth-Century France
• Sean Silver, Afterword: What Do We Mean by ‘Material’?


Williamsburg Acquires Silver Teapot

Posted in museums by Editor on September 24, 2018

Teapot, 1771–72, marked by Andrew Fogelberg, Swedish/English, working ca. 1767–deceased ca. 1815; sterling silver and wood (Colonial Williamsburg, gift of Angus Sladen of Hampshire, England, a descendant of the fourth earl of Dunmore, 2018-128).

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Press release (17 September 2018) from Colonial Williamsburg:

A small, delicately engraved, silver teapot that belonged to the Scottish nobleman John Murray (ca. 1730–1809), fourth earl of Dunmore and Virginia’s last royal governor, which descended through Lord Dunmore’s family, is now part of the Colonial Williamsburg Foundation’s collection. Engraved with the Murray family armorial crest beneath an earl’s coronet, it was made in London in 1771–72 under the sponsorship of the Swedish-born silversmith Andrew Fogelberg. This gift is the first example of silver marked by Fogelberg to enter the collection.

“This remarkable teapot owned by Virginia’s last royal governor represents our nation’s history in a unique way that enables us to authentically tell America’s enduring story,” said Mitchell B. Reiss, president and CEO of the Colonial Williamsburg Foundation. “Gifts such as this one permit us to better convey the human dimension of our country’s history in an exceptional manner.”

Lord Dunmore, a Scottish peer initially sent to the colonies as royal governor of New York, was transferred to Virginia less than one year later as King George III’s representative in the same capacity. He had a strife-filled time in Williamsburg from 1771 to 1776. Dunmore likely acquired the teapot during the earliest years of his residency in the colonies, before his family joined him from Scotland in 1774. Although there is no written documentation to prove that this teapot was used in Virginia, the likelihood that it was is quite strong. The diminutive scale of the teapot would have been suitable for Lord Dunmore’s personal use while in the colonies before his family’s arrival.

All semblance of peaceful governance in Virginia ended when Dunmore seized the colony’s store of gunpowder in April 1775. Notoriously unpopular and sensing the danger of an armed rebellion, Dunmore took his family and some of their small valuables and fled the Governor’s Palace two months later. Lady Dunmore and their children returned to Britain and Dunmore lodged on an English warship anchored in the Chesapeake Bay. In the process, he abandoned most of his household furnishings and personal property. It is believed that the Fogelberg teapot returned to Britain with the family, as it passed down among his descendants until it was given to Colonial Williamsburg recently.

“Only a handful of objects have come down to us from Lord Dunmore’s time in the Governor’s Palace,” said Ronald L. Hurst, the Foundation’s Carlisle H. Humelsine chief curator and vice president for collections, conservation, and museums. “Given his explosive role in Virginia’s Revolutionary uprising, Dunmore’s personal possessions are now powerful interpretive tools. This well-preserved teapot comes as a very important addition to our collections.”

Diminutive in size and cylindrical in shape, the teapot is engraved with arcaded columns beneath a shell and acanthus border. The proper right side is engraved with the Murray family crest as used by the earls of Dunmore: a bearded man holding in his right hand a sword and in his left a key; above is an earl’s coronet with five pearls on raised stalks interspersed with four strawberry leaves. This unique combination of elements, together with the date of the teapot, identifies it as the property of John Murray, the fourth earl of Dunmore and royal governor of Virginia.

The teapot has a loose—rather than hinged—lid, perhaps indicative of the Swedish background of its silversmith/sponsor Andrew Fogelberg, as this feature is more typically found on Scandinavian, Baltic and Continental vessels. Few objects from Fogelberg’s shop survive, and he is best remembered today as the master who trained the better-known English silversmith Paul Storr.

“This teapot tells a fascinating story,” said Janine E. Skerry, senior curator of metals at the Colonial Williamsburg Foundation. “Made in the shop of a Swedish-born craftsman working in London, it was used in Virginia by a Scottish nobleman on the eve of the American Revolution. It then traveled back to Britain only to be rediscovered almost 250 years later.”

The teapot is a gift of Angus Sladen of Hampshire, England, a descendent of the fourth earl of Dunmore. It descended to him via Lady Evelyn Cobbold, née Murray (1867–1963), daughter of the seventh earl of Dunmore and Lady Gertrude Coke, daughter of the second earl of Leicester. “I have a great love of and admiration for the United States,” said Mr. Sladen. “It seemed clear to me that this small object most probably witnessed part of American Revolutionary history. Colonial Williamsburg, with its great collections and knowledgeable curators and experts, seemed the ideal home for it, and I felt it might mean a great deal to [its] visitors.”

The Dunmore teapot will be included in a multimedia exhibition focused on objects made or used in Williamsburg scheduled to open at the Art Museums of Colonial Williamsburg in 2019.

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