Enfilade

Online Lecture | Cassidy-Geiger on Friedrich Christian’s Grand Tour

Posted in lectures (to attend) by Editor on June 12, 2020

Rosalba Carriera, Portrait of the Elector Frederick Christian of Saxony), 1740, pastel on paper, 63.5 × 51.5 cm
(Dresden: Gemäldegalerie Alte Meister)

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From The French Porcelain Society:

Maureen Cassidy-Geiger, The Grandest of Tours: Fragile Diplomacy Meets the Grand Cure
Online Lecture, 13 June 2020

The French Porcelain Society continues its series of weekly online lectures with Maureen Cassidy-Geiger on the incredible two-year Grand Tour of the Elector Friedrich Christian of Saxony in the mid-eighteenth century. We hope you can join us on Saturday, 13 June 2020, 19:00pm (British Summer Time). Members will receive an email invitation with instructions on how to join the online lecture. If you want to join, please contact us for more details on FPSenquiries@gmail.com.

Elector Friedrich Christian of Saxony (1722–1763), who succeeded King August III in 1763 for just 74 days, was afflicted from birth with profound physical disabilities which prevented him from standing or walking without assistance and made simple tasks like eating and dressing difficult. The marriage of his sister Maria Amalia to the King of Naples in 1738 inspired their parents to send the fifteen-year-old heir to the throne on an impromptu journey to Italy for life-saving medical treatments. This exceptional two-year adventure was amply documented, allowing us to precisely reconstruct the prince’s route and daily experiences as he travelled from Dresden to Naples, Rome, Florence, Milan and Venice along pilgrimage routes and post roads, returning via his mother’s court capital, Vienna. Like the able-bodied Grand Tourists he met along the way, he also travelled incognito (‘Comte de Lusace’) with an entourage, enjoyed celebrity status, and collected art, relics, books and souvenirs for shipment home, many of them gifts from his hosts along the way. A selection was featured together with archival documentation in The Grand Cure / Die Grande Kur 1738–1740 (Staatliche Kunstsammlungen Dresden, 2018). In return, wagonloads of porcelain from the Royal Porcelain Manufactory at Meissen were shipped abroad to serve as thank yous from King August III and to celebrate the Naming Day of dowager Empress Wilhelmine Amalie, the prince’s grandmother. Many of these porcelain gifts have survived and were showcased in the exhibition and catalogue Fragile Diplomacy: Meissen Porcelain for European Courts, ca. 1710–63 (YUP/BGC, New York, 2007–08). Some were customized with coats of arms or apt painterly compositions, a few items were repurposed from Japanese Palace stock, and others were simply on hand and included in the shipments; the Meissen porcelain table service that accompanied the prince across Italy was understandably damaged and depleted from use at the lunches and dinners he routinely hosted so a replacement was sent via courier to meet him in Vienna, together with a selection of the king’s silver plate.

Maureen Cassidy-Geiger has twice driven the prince’s itinerary and has researched his sojourns in Naples, Rome, Venice and Vienna on various residential fellowships. Transcriptions of the travel diaries, composed mostly in French, and related research and documentation are posted on the website comtedelusace.wordpress.com.

Call for Papers | Curating, Care, and Community

Posted in Calls for Papers by Editor on June 11, 2020

From the British Art Network:

Curating, Care, and Community
Online Seminar, 3 September 2020

Proposals due by 26 June 2020

This online seminar will seek to explore how to care for others both within and beyond the curatorial community. The word curator derives from the Latin word curare, ‘to care’. Curators are charged with the physical and intellectual care of collections—the artworks, objects, and narratives found within cultural institutions. However, it is evident to the seminar organisers, a group of early career curators from a range of disciplinary backgrounds, that the concept of care within the sector must stretch beyond the guardianship of cultural heritage, to the care and concern for those everywhere. With this in mind, what role does ‘care’ play in a more holistic sense in a curators work? How do we care for each other, within both the institutional and local communities? Contributions are invited from across a range of disciplines, read the full abstract and find out more information here.

British Art Network (BAN) News

Posted in museums, opportunities by Editor on June 11, 2020

From the Paul Mellon Centre:

New British Art Network Convenor Appointed

The Paul Mellon Centre is delighted to announce that Dr Martin Myrone will be joining the staff at the Centre in the new role of Convenor of the British Art Network from 1 September 2020. The network, jointly led by Tate and the PMC, brings together over seven hundred specialists working on British art, including curators, researchers and academics, reflecting the combined strength of the UK’s public collections and curatorial expertise.

As Convenor, Martin will lead and develop the activities of this community in close collaboration with the British Art Network’s co-chairs Mark Hallett (Director of Studies at the Paul Mellon Centre) and Alex Farquharson (Director of Tate Britain).

Martin joins the PMC from his post as Senior Curator, Pre-1800 British Art at Tate Britain and is an art historian and curator of international standing. His many exhibitions at Tate Britain have included Gothic Nightmares in 2006, John Martin in 2011, British Folk Art in 2014, and most recently William Blake in 2019. His published work includes the 2005 monograph Bodybuilding: Reforming Masculinities in British Art 1750–1810 and the forthcoming Making the Modern Artist: Class, Culture and Art-Educational Opportunity.

British Art Networks Sub-Groups

British Art Network sub-groups focus on specific topics of British art. The programmes of activity are led and hosted by network members. Membership to the sub-groups is open to British Art Network members who have a professional research interest or specialism in the group subject area. The current sub-groups are:

• Black British Art
• British Art in Historic Houses
• British Drawings
• British Genre and Narrative Painting
• British Landscapes
• British Mural Painting, 1600–1750
• British Drawings
• British Genre and Narrative Painting
• British Landscapes
• British Mural Painting, 1600–1750
• British Women Artists, 1750–1950
• Contemporary Art in Scotland
• Group Work: Contemporary Art and Feminism
• Post-War Painting in Regional Collections
• Queer British Art

Join a Sub-Group here»

British Art Network Newsletter

The British Art Network circulates a newsletter three times a year, to keep members informed of upcoming events and opportunities relating to British art. The newsletter covers aspects of network activity alongside relevant external exhibitions and events, opportunities and scholarly articles.

Sign up here»

 

New Book | Making the Modern Artist

Posted in books by Editor on June 10, 2020

Forthcoming this fall from the Paul Mellon Centre and Yale UP:

Martin Myrone, Making the Modern Artist: Culture, Class, and Art-Educational Opportunity in Romantic Britain (London: Paul Mellon Centre for Studies in British Art, 2020), 288 pages, ISBN: 978-1913107154, £45 / $60.

The artist has been a privileged figure in the modern age, embodying ideals of personal and political freedom and self-fulfillment. Does it matter who gets to be an artist? And do our deeply held beliefs stand up to scrutiny? Making the Modern Artist gets to the root of these questions by exploring the historical genesis of the figure of the artist. Based on an unprecedented biographical survey of almost 1,800 students at the Royal Academy of Arts in London between 1769 and 1830, the book reveals hidden stories about family origins, personal networks, and patterns of opportunity and social mobility. Locating the emergence of the ‘modern artist’ in the crucible of Romantic Britain, rather than in 19th-century Paris or 20th-century New York, it reconnects the story of art with the advance of capitalism and demonstrates surprising continuities between liberal individualism and state formation, our dreams of personal freedom, and the social suffering characteristic of the modern era.

Martin Myrone is senior curator of pre-1800 British art at Tate Britain, London.

New Book | Ugliness and Judgment: On Architecture in the Public Eye

Posted in books by Editor on June 8, 2020

From Princeton UP:

Timothy Hyde, Ugliness and Judgment: On Architecture in the Public Eye (Princeton: Princeton University Press, 2019), 232 pages, ISBN: 978-0691179162, $35 / £30.

When buildings are deemed ugly, what are the consequences? In Ugliness and Judgment, Timothy Hyde considers the role of aesthetic judgment—and its concern for ugliness—in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles’s opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society.

Hyde explores how accidental and willful conditions of ugliness—including the gothic revival Houses of Parliament, the brutalist concrete of the South Bank, and the historicist novelty of Number One Poultry—have been debated in parliamentary committees, courtrooms, and public inquiries. He recounts how architects such as Christopher Wren, John Soane, James Stirling, and Ludwig Mies van der Rohe have been summoned by tribunals of aesthetic judgment. With his novel scrutiny of lawsuits for libel, changing paradigms of nuisance law, and conventions of monarchical privilege, he shows how aesthetic judgments have become entangled in wider assessments of art, science, religion, political economy, and the state. Moving beyond superficialities of taste in order to see how architectural improprieties enable architecture to participate in social transformations, Ugliness and Judgment sheds new light on the role of aesthetic measurement in our world.

Timothy Hyde is associate professor in the history and theory of architecture at the Massachusetts Institute of Technology. He is the author of Constitutional Modernism: Architecture and Civil Society in Cuba, 1933–1959.

Call for Papers | New Directions, Online Seminar Series

Posted in Calls for Papers by Editor on June 6, 2020

From ArtHist.net and the NDENCA website:

New Directions in Eighteenth- and Nineteenth-Century Art
Online Seminar Series, 15 June — 9 September 2020

Proposals due by 15 June 2020

This digital series of five online seminars (one every fortnight) seeks to showcase new and innovative research being undertaken on eighteenth- and nineteenth-century art and its histories. We invite contributions for papers investigating any aspect of the artistic, visual, and material cultures of this period and produced across the globe. Sessions will be hosted via video conferencing software and will take the form of a 40-minute seminar, with time following for questions. We welcome proposals from PhD researchers, early career academics, and museum professionals, particularly those from underrepresented groups. Please send abstracts of 300 words and short biographies to ndencaseminar@gmail.com by 15 June 2020. The series is organised by Dr Freya Gowrley and Dr Madeleine Pelling.

3rd Annual Ricciardi Prize from Master Drawings

Posted in opportunities by Editor on June 6, 2020

From Master Drawings:

Third Annual Ricciardi Prize from Master Drawings
Submissions due by 15 November 2020

Master Drawings is now accepting submissions for the 3rd Annual Ricciardi Prize of $5,000! The deadline is 15 November 2020. The award is given to the best new and unpublished article on a drawings topic (of any period) by a scholar under the age of 40. The winning submission will be published in a 2021 issue of Master Drawings. The most recent prize winner’s work will appear in the summer 2020 issue of Master Drawings. More information is available here.

 

Call for Papers | British Art and Natural Forces

Posted in Calls for Papers by Editor on June 5, 2020

From PMC:

British Art and Natural Forces: A State of the Field Research Programme
Paul Mellon Centre, London, October–November 2020

Proposals for various formats due by 30 June 2020

J.M.W. Turner, The Evening of the Deluge, ca. 1843, oil on canvas, 30 x 30 inches (London: National Gallery of Art, Timken Collection, 1960.6.40).

In the year 2020, the Paul Mellon Centre marks its 50th anniversary as an institution dedicated to the study of British art and architecture. It is a year in which artistic practice and the practice of art history have met with the unprecedented force of a global pandemic. In the midst of this crisis, the PMC is initiating a major, multi-part programme of research events that focuses on the encounter between artistic or art historical practice and the forces of the natural world, and places such encounters in both contemporary and historical perspectives.

In doing so, we hope not only to respond to the exigencies of the current moment, but to foreground some of the most vital activities and conversations taking place within the field of British art studies. In recent years, scholars have concentrated with new intensity on the overlaps between artistic, geophysical, biological and ecological bodies of knowledge.

The theme also speaks to many of the new interdisciplinary collaborations that are currently shaping art-historical practice, which have seen scholars of the visual arts working across different subject-fields to explore natural histories, indigenous forms of knowledge, animal studies, concepts of the post-human and revitalized theorisations of the sublime.

Finally, the theme of this series exploits the astonishingly rich and diverse representations of natural forces found throughout the history of British art, from the Anglo-Saxon period to the present day. The programme will seek to explore such representations in the light of current debates and theoretical frameworks, and with the acknowledgement that human agency and reflexive awareness are natural forces in their own right.

We welcome proposals for 20-minute research papers dealing with any period or category of British art and visual culture, and that address the ways in which artistic or art-historical thinking and practice have shaped or been shaped by the encounter with natural forces, whether benign or cataclysmic, short- or long-term, visible or invisible. We also welcome proposals from artists and others whose contributions might take unexpected forms.

Schedule and Format

The events in this programme will be hosted over October and November of 2020. They may encompass virtual, in-person, audio, and print modes: the formats will be confirmed in the early autumn, and will take shape in line with UK government advice on public gatherings. Spanning eight weeks, the events will be sequential in character, and are designed to forge and facilitate a set of expansive conversations that unfold over time.

How to Submit

Please send proposals of 400 words maximum together with a short biography of no more than 100 words to events@paul-mellon-centre.ac.uk by 30 June 2020.

Online Public Lecture Course | Georgian Provocations

Posted in lectures (to attend) by Editor on June 5, 2020

From PMC:

Georgian Provocations: Six Iconic Works of Art from Eighteenth-Century Britain
Paul Mellon Centre, London, 28 May — 9 July 2020

Georgian Provocations is a one-off summer public lecture course, delivered online, and designed to provide an accessible and stimulating introduction to the art of the period. In this series of six 30-minute lectures, Hallett and Postle focus on six seminal paintings from the Georgian era and investigate their contents, contexts, and impact. Together, they reveal many of the ideas and issues that coursed through British visual culture between the 1730s and the 1790s, and demonstrate the riches that continue to be gained from looking intensively at an individual work of art. Lectures will be released weekly from 28 May to 2 July at 3pm (GMT).

An associated conversation on July 9 will be streamed live via Zoom Webinar at 6pm (GMT), providing a Q&A session with series presenters Mark Hallett and Martin Postle, who will talk about the pictures they focused upon in their lectures and their respective approaches to discussing the works in question.

28 May 2020
Mark Hallett, Walking the Streets: William Hogarth’s The Four Times of Day by William Hogarth (1736–38)

4 June 2020
Martin Postle, Variations on a Theme: Richard Wilson’s The White Monk (ca. 1755–65)

11 June 2020
Martin Postle, All Done from Nature: George Stubbs’s Whistlejacket (1762)

18 June 2020
Martin Postle, The Artist as Intellectual: Joshua Reynolds’s Self-Portrait as President of the Royal Academy (1780)

25 June 2020
Mark Hallett, Displaying the Hero: John Singleton Copley’s The Death of Major Peirson (1784)

2 July 2020
Mark Hallett, Making an Impact: Thomas Lawrence’s Arthur Atherley (1792)

9 July 2020
Georgian Provocations: A Conversation, streamed live via Zoom Webinar at 6pm (GMT); register via Eventbrite here.

Call for Papers | SEASECS 2021, Ft. Myers

Posted in Calls for Papers by Editor on June 4, 2020

The Luminary & Co. Hotel, part of Marriott International’s Autograph Collection, is a new hotel, scheduled to open summer 2020.

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SEASECS 2021 — Oceans Rise, Empires Fall: Tidal Shifts in the Eighteenth Century
The Luminary & Co. Hotel, Ft. Myers, Florida, 18–20 February 2021

Session Proposals due by 15 June 2020
Individual Papers and Fully-formed Panels due by 15 October 2020

The 47th meeting of The Southeastern American Society for Eighteenth-Century Studies (SEASECS) will take place 18–20 February 2021 in Ft. Myers, Florida, a historically rich, culturally vibrant city also known as a winter getaway for its warm temperatures, tropical scenery, and beautiful shorelines. Situated on the gulf coast and the banks of the Caloosahatchee River, Ft. Myers has a distinct history informed by its relationship with land and water, which inspires our theme: “Oceans Rise, Empires Fall: Tidal Shifts in the Eighteenth Century.” At this time, we invite session proposals related to this theme or any aspect of the long eighteenth century. We welcome proposals for traditional panel and roundtable topics as well as innovative session formats.

Please send your session proposal including title, short description of the session format and topic, and your contact information, to Mary Crone-Romanovski at mromanovski@fgcu.edu by 15 June 2020. Submitted panel topics will be included on the general CFP for SEASECS 2021. Fully-formed panels and individual paper proposals will be due by 15 October 2020.

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