Enfilade

Francesco Guardi, The Return of the Buncintoro from S. Nicolò di Lido (detail), ca. 1778, pen and brown ink and wash, over black chalk
(Minneapolis: Mia, the John R. Van Derlip Trust Fund 2021.25)

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Now on view at Mia:

Venice in the 1700s
Minneapolis Institute of Art, 22 January — 16 October 2022

By the 1700s, the once mighty seafaring republic of Venice had been in decline for 300 years. Yet the island city still had one undiminished power—magic. Grand palaces, churches, flotillas of elegant gondolas floated above luminous reflections. Intricate systems of canals and walkways offered endless unexpected perspectives. Centuries of exquisite art could be found everywhere. With much support from tourists who flocked to see the city’s wonders, Venice’s artistic tradition continued to flourish. Three great artists and their families dominated: Antonio Canale (known as Canaletto), Giambattista Tiepolo, and Francesco Guardi. Mia has long had fine prints and drawings by the first two. This presentation celebrates the recent addition of Mia’s first outstanding Guardi drawing.