Enfilade

ECCO Texts and Print-on-Demand Possibilities

Posted in books, resources, teaching resources by Editor on June 20, 2011

While working on an article related to William Cowper’s Myotomia Reformata, I recently discovered that I could purchase a paperback copy for less than $25 at Amazon or Alibris. I was surprised but guessed that these copies were the remainders from a recent printing of the 1724 text. In fact, however, they are the result of a print-on-demand initiative. Here’s the description from Alibris:

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As noted at EMOB, the covers of these new paperbacks do not come from the original books, and in this instance, the selection is hardly ideal. I'm not sure if the editor, Dr. Richard Mead, would be angry, appalled, or merely amused.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT132919Titlepage in red and black. Edited by Richard Mead, assisted by Joseph Tanner, James Jurin and Henry Pemberton. Large paper issue.London: printed for Robert Knaplock, and William and John Innys; and Jacob Tonson, 1724. [12],
lxxvii, [1],194p., plates: ill.; 2.

Condition: New
Publisher: Gale Ecco, Print Editions
Date published: 2010
ISBN-13: 9781140985778
ISBN: 1140985779

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An online search quickly turned up a fine discussion of the issue — not surprisingly — at Early Modern Online Bibliography. Eleanor Shevlin wrote a thoughtful posting on the subject last August, which has thus far occasioned 27 responses. The posting nicely lays out the potential advantages and drawbacks. Most objections relate to concerns over bibliographic completeness and uniformity. I’ve not yet looked to see what the art offerings might look like, but for anyone looking to incorporate primary sources into the classroom, this could be useful. I’ve included below a comment on the posting from Scott Dawson (24 August 2010) that clarifies some of these issues, but by all means have a look at the full discussion at EMOB. -CH. (more…)

Electronic Enlightenment, Part II

Posted in resources, teaching resources by Editor on June 2, 2011

After a few minutes exploring the ‘classroom’ resources at Electronic Enlightenment (free until the end of June), I was impressed by the possibilities. So often amazing electronic resources are presented (or at least perceived) as if the value lay simply in the information that’s been digitized. It’s nice to see EE thinking about the pedagogical potential (I really like Meghan Roberts’s lesson plan for ‘Inoculation in the Age of Enlightenment’).

Perhaps at some point, Enfilade could feature a series of lesson plans generally. Members’ contributions are most welcome. -CH.

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Electronic Enlightenment, Classroom

Through a collaboration with academics using EE in their teaching, EE is pleased to present a selection of lesson plans suitable for undergraduate classes. We would like to thank the academics involved, and also to extend an offer to others who would like to make their lesson plans available to get in touch with us.

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Dissonance in the Republic of Letters
Christopher Tozzi, Johns Hopkins University

Abstract: This lesson plan highlights the diversity of opinion within the Republic of Letters by presenting a few of the personal and intellectual conflicts in which thinkers of the seventeenth and eighteenth centuries involved themselves. By reading letters exchanged by Enlightenment thinkers, students will gain an appreciation of the intellectual nuances of the period and the way in which knowledge was pursued.

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Inoculation in the Age of Enlightenment
Meghan Roberts, Northwestern University

Abstract: This lesson would be suited to courses that deal with the Enlightenment, the history of science and medicine, and could also be adapted to courses on early modern France and early modern Europe.

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National Identity and Otherness in the Eighteenth Century
Neven Leddy, University of Ottawa

Abstract: This session tackles the complexities of identity in 18thC Great Britain and Europe. The correspondence of the key figures of the Scottish Enlightenment is used to illuminate the personal experiences which structure 18thC theories of the Other. In this session EE can be productively interleaved with electronic texts from other sources to structure a dialogue between biography and philosophy. The aim of this session is to problematize the modern nation-state as a conceptual lens to view the past. Students will become familiar with the 18thC model of a multi-ethnic state, a well the many layers of national and human identity.

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Optimism and Cosmopolitanism in the Enlightenment
Neven Leddy, University of Ottawa

Abstract: This session introduces the Enlightenment through the Lisbon Earthquake of November 1st, 1755 focusing on the elements of Optimism and Cosmopolitanism. In the process it illuminates the diffusion of “news” through the eighteenth century Republic of Letters. The methodological thrust of the lesson plan is interdisciplinary, demonstrating the crossover and feedback between history, philosophy, religion and literature. It assumes a bilingual student body.

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The Restoration and Early Eighteenth-Century Theatre World
Anne Greenfield, University of Denver

Abstract: This section will discuss the value of incorporating correspondence into courses on History and/or Literary History. Writers of letters tend to move from topic to topic far more readily and abruptly than do writers of more singularly-focused works (e.g., essays, poems, or political treatises). For this reason, correspondence gives students of History and Literary History a more expansive vision of the past, exposing them to writers’ insights into a wide variety of phenomena.

Free Access to the ‘Electronic Enlightenment’ til the End of June

Posted in Calls for Papers, resources by Editor on June 1, 2011

Various announcements from Robert McNamee, Director of the Electronic Enlightenment Project:

Try Electronic Enlightenment Free Till the End of June

Electronic Enlightenment is being offered on a free trial till the end of June. Access this growing correspondence network, with over 7,100 distinct correspondents and nearly 60,000 letters. Simply go to www.e-enlightenment.com and login with:
Username: ee2011
Password: enlightenment

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EE Colloquium — Epistolary Quarrels: Matter and Manner
Oxford, 19 November 2011

Proposals due by 9 September 2011

I will not deprecate you with regard to our Quarrel, for if any thing escaped me (as you pretend) that seemed strong, that is, that hurt you a little, I am not conscious of any such meaning, & you would not have me apologize for mere words, or an ill-contrived expreſsion.
— Thomas Gray to Edward Bedingfield (10 August 1757)

The colloquium is intended to provide a forum for both academics and graduate students exploring correspondence in the early modern period. The papers given by academics will be 40 minutes; those given by graduate students will be 20 minutes. Conference papers can be in English or French. A selection of papers will be published electronically in the Electronic Enlightenment Project’s Letterbook. Please send us your proposals (max 250 words) by Friday 9 September 2011: eecolloquium@e-enlightenment.info

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Write a Lesson Plan and Win a Book from Oxford University Press

Submit a lesson plan to onlinemarketing@oup.com on a subject of your choosing, and if chosen you will win £40 worth of books from OUP’s catalogue of outstanding print publications. To see our current selection of lesson plans, go to www.e-enlightenment.com/classroom/

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The latest review of EE in The Charleston Advisor:

Jennifer Dekker, The Charleston Advisor 12.4 (April 2011): 28-31.

Electronic Enlightenment is a new-generation digital collection offered by the Bodleian Library at Oxford University. It not only functions as a repository and access point for valuable correspondence and related documentation on the eighteenth century, but it is also an interactive community project continually building new resources into its database and encouraging external users to participate in its evolution. For example, readers are invited to correct information in the EE resource base and are even welcome to add letters that have not yet been included. This level of interaction is not often seen in commercial tools, but because EE is facilitated, hosted, and marketed by a major research library in collaboration with an established group of eighteenth century scholars, this database is more innovative and flexible than a typical commercial product. 4.750/5 stars.

New Website for Yale Center for British Art

Posted in exhibitions, resources by Editor on May 26, 2011

The new website for the Yale Center for British Art sets high the standard for digital art historical resources. The site features an online catalogue of the Center’s holdings, allowing seamless searching across the art collections and related library materials, AND publication-quality images of all art objects in the public domain are available for free downloading. As outlined in the press release below, more content will be added in the coming months. And what better way to draw attention to the new site, than an exhibition? -CH

Connections
Yale Center for British Art, New Haven, 20 May — 11 September 2011

Curated by Matthew Hargraves and and Imogen Hart

Elizabeth Pringle, "A Prowling Tiger," graphite, brushed black ink and white gouache, ca. 1800 (Yale Center for British Art)

To mark the launch of the YCBA’s online catalogue, Connections, a companion exhibition, replicates the experience of searching across the Center’s extraordinary collections. With more than two hundred paintings, sculptures, prints, drawings, rare books, and manuscripts from the early seventeenth to the early twentieth century, Connections presents familiar works as well as some surprises. Alongside popular collection highlights such as Rubens’s bravura oil sketch Peace Embracing Plenty will be rarely exhibited works, including outstanding prints and drawings by Thomas Gainsborough. The exhibition reveals the depth and breadth of material in the Center’s physical collections, which will now be accessible in a single searchable catalogue. Among the themes explored in the exhibition are: British Art in the 1630s; Hogarth and History; Sporting Art; the Academy and the Human Body; Egypt; British Modernism in the 1930s; Paul Sandby; George Stubbs; Thomas Gainsborough; and Samuel Palmer. The section devoted to George Stubbs (1724–1806) is representative of the exhibition in its span of different genres, as it showcases Stubbs’s extraordinary artistic range and some of the Center’s great treasures: paintings on canvas, copper, and earthenware; Wedgwood plaques and enamels; a selection of his technically innovative prints and drawings; anatomical studies; and books and manuscripts of midwifery and anatomy.

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Press release:

Yale Center Offers Unprecedented Access to Largest Collection of British Art Outside the UK through New Online Catalogue

William Gilpin, leaves 33v–34r (with color chart laid in) from "Hints to form the taste & regulate ye judgment in sketching Landscape," manuscript, in pen and ink, with watercolor, ca. 1790 (Yale Center for British Art, Paul Mellon Collection)

Beginning May 20, the Yale Center for British Art, which houses the largest and most comprehensive collection of British art outside of the United Kingdom, will share its extraordinary holdings with the world through a new online catalogue. For the first time, visitors to the museum’s redesigned and expanded website—britishart.yale.edu—will have the ability to search across the Center’s entire collection of paintings, sculpture, prints, drawings, rare books, manuscripts, and works in the Reference Library. In addition, they will be able to download high-resolution images of objects in the public domain, free of charge. This new policy should transform scholarship in the field of British art by allowing universal access to the Center’s unparalleled collection. The launch of the Center’s online catalogue dovetails with Yale University’s recently announced “Open Access” policy, which will make high-quality digital images of Yale’s vast cultural heritage collections in the public domain openly and freely available. (more…)

London Shh . . . small historic houses

Posted in on site, resources by Editor on May 18, 2011

Thanks to Alicia Weisberg-Roberts who draws our attention to London Shh. . . “a tiny museum association of tiny house museums, mostly Georgian in theme or fabric.” From the association’s website:

London Shh… is a collection of the city’s hidden-gems; small historic houses which tell the stories of fascinating and famous former residents. Tucked away down intriguing streets and alleys, off the beaten tourist track you will find some of the city’s best kept secrets. London Shh… formed in 2008 with a view to encourage more people to discover and enjoy these beautiful houses. To step through one of our front doors is to be transported back in time and experience first-hand the places which famous names from Freud to Franklin chose to call home. So come and visit us and get closer to the people whose innovations and actions changed the world we live in. All the houses are independent registered charities and generate their own income through exciting programmes of exhibitions, events and more.

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In addition to coordinating digital access for the properties, the association’s site also provides a single point of access for upcoming events. On May 19, for instance, at the Handel House Museum

Jennifer Bennett (baroque violin) and Dan Tidhar (harpsichord) will explore the evolution of the sonata in the 18th century starting with J.S. Bach via his son C.P.E. Bach and ending with Mozart.

And on May 23, at the Benjamin Franklin House,

Dr Allan, historian of the Royal Society of Arts (RSA) and Honorary President of the William Shipley Group for RSA History, will highlight the friendship between Franklin and RSA Founder William Shipley and his family. For over fifty years, Dr. Allan has lectured and written extensively on aspects of the Society’s history, including the Benjamin Franklin connection, and he remains involved in its affairs.

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The houses currently represented include:

  • Freud Museum London
  • Benjamin Franklin House
  • Kelmscott House
  • Dr Johnson’s House
  • Handel House Museum
  • Burgh House & Hampstead Museum
  • Emery Walker House
  • Wesley House
  • Keats House

Opening this Weekend: Hepworth Wakefield Gallery in Yorkshire

Posted in on site, resources by Editor on May 17, 2011

The new Hepworth Wakefield Gallery opens this weekend (21 May 2010). As described at the museum’s website:

This stunning building, designed by the award-winning David Chipperfield Architects, will be a place to explore art, architecture and your imagination. With over 1,600 square metres of light-filled gallery spaces, The Hepworth Wakefield will be the largest purpose-built exhibition space outside London. The gallery will bring together work from Wakefield’s art collection, exhibitions by contemporary artists and rarely seen works by Barbara Hepworth, one of the 20th century’s most important artists who was born and grew up in Wakefield.

Other recent projects by David Chipperfield include the Turner Contemporary in Margate and renovations of the Neues Museum in Berlin and the St Louis Art Museum. While the twentieth-century collections are sure to be the focus of the Hepworth Wakefield’s opening, the Gott Collection is also finally getting its due:

An important attraction for visitors will be the rarely seen Gott Collection, gifted to the City’s art collection in 1930. The Gott Collection was assembled in the 19th century by John Gott (1830-1906), Vicar of Leeds and later Bishop of Truro, and his father William (1797-1863), a wool merchant. It was presented to Wakefield Art Gallery in 1930 by Frank Green, a Yorkshire industrialist and philanthropist. The bound 10-volume collection includes 1,200 images, consisting of 65 watercolours, 315 drawings, 749 prints (including hand-coloured prints and one albumen print) and 50 double-sided letterpress pages from a book. It is arguably the finest surviving collection in the region, with over 200 Yorkshire villages, towns and cities depicted within its pages. Through funding by the Esmée Fairbairn Foundation this unique resource including maps, topographical drawings and watercolours will be made publicly accessible. Collectively they show how Yorkshire has long been a place of artistic inspiration. . .

International Museum Day & European Night of Museums

Posted in resources by Editor on May 13, 2011

Press release from the IMD:

International Museum Day – Museum and Memory: Objects Tell Your Story
18 May 2011

On and around 18 May, museums worldwide will celebrate International Museum Day. Established in 1977 by the International Council of Museums, more than 30,000 museums in around 100 countries will hold special activities on this occasion. In 2011, the theme of International Museum Day is Museum and Memory. Through the objects they store, museums collect stories and convey the memory of our communities. These objects are the expressions of our natural and cultural heritage. Many of them are fragile, some endangered and they need special care and conservation. International Museum Day 2011 will be an occasion for visitors to discover and rediscover individual and collective memory. . . .

The conservation and transmission of collective memory is a preoccupation for other heritage players, beyond the museum community. For this reason, for the first time ever, the International Council of Museums has initiated close institutional partnerships with other organisations that feel concerned by these questions and share ICOM’s preoccupation for the preservation of memory: the UNESCO “Memory of the World” programme, the Co-ordinating council of Audiovisual Archives Associations (CCAAA), the International Council on Archives (ICA), the International Council on Monuments and Sites (ICOMOS) and the International Federation of Library Associations and Institutions (IFLA). In addition, ICOM will be a patron of the European Night of Museums on 14 May, 2011 for the first time since the event was launched. . . .

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The European Night of Museums / La Nuit Européenne des Musées
14 May 2011

The European Night of Museums was created in 2005 by the French Ministry of Culture and Communication. During a late-night opening, visitors can discover, for free, museums’ collections and all the special events organised for the festival. The Night of Museums aims to make museums more accessible to the general public and in particular to a new younger public and to federate a network of European museums around a common festive and friendly event. In 2010, more than 3,000 European museums in 40 different countries participated in the Night of Museums.

Additional information is available here»

Raysor Print Collection Acquired by Richmond’s VMFA

Posted in exhibitions, resources by Editor on May 4, 2011

This lovely show that just closed at the VMFA provided a tantalizing glimpse of a major new print collection recently donated to the museum. With a $150 million construction project completed last spring (a glowing review from Architectural Record is available here), the VMFA is now in the process of developing a first-rate study room for works on paper. Within the next year or so, the entirety of the Raysor Collection of 10,000 works should be relocated to its new home and the print room finished. Stay tuned. For anyone remotely near the museum, know that there is an outstanding new collection of prints in your area. Incidentally, I feel quite fortunate to have attended the big celebration gala at the beginning of last month(!), and I’m thrilled at the promise of the Raysor Collection.  -CH

Art A Celebration of Print: 500 Years of Graphic Art
Virginia Museum of Fine Arts, Richmond, 29 January — 22 May 2011

Curated by Mitchell Merling

This exhibition celebrates the extraordinary gift of approximately 10,000 prints from the collection of collector, connoisseur, and scholar Frank Raysor, who grew up in Richmond. Over the past 35 years Raysor has amassed a collection which covers the history of printmaking, as seen in this exhibition, and which also contains special deep holdings in artists such as Charles Meryon, Félix Bracquemond, Seymour Haden and Wenceslaus Hollar. The collection will increase by one third the total number of objects in VMFA’s collection.

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Press release from the museum:

The Virginia Museum of Fine Art’s Collectors’ Circle named Richmond-raised Frank Raysor ‘Collector of the Year’ at a gala on Saturday, 2 April 2011. During the evening’s celebration, VMFA Director Alex Nyerges announced Raysor’s plans to bequeath more than $3 million to the museum. Raysor already has promised VMFA a gift of 10,000 prints that he has amassed throughout the past 35 years. In recognition of this unprecedented gift, the museum’s previous library is being named the “Frank Raysor Center for the Study of Works on Paper.” The center will house more than 15,000 works on paper and will provide the space and resources needed for the study of the history of western print-making, among other subjects. The study center will open after a complete renovation and refurbishment of the existing space. The gifted prints cover the history of print-making, spanning the 15th century to present day, and are by both European and American artists. The works will increase the museum’s total number of objects by one-third.

“The Virginia Museum of Fine Arts’ relationship with Frank Raysor dates back to his childhood visits,” Nyerges said. “In the past we have benefitted from a number of antiquities, which he donated in the early 1990’s. His rich and fascinating collection of prints is a gift for all Virginians.”

As Collector of the Year, Raysor joins a group of distinguished donors and museum supporters. Past recipients include: Linda H. Kaufman, Jane Joel Knox, Mrs. Nelson L. St. Clair, Jr., Robert and Nancy Nooter, Paul Mellon, Jerome and Rita Gans, Arnold L. Lehman and Nelson A. Rockefeller.

Raysor grew up in Richmond, attending Thomas Jefferson High School, before going on to Duke University and Harvard Business School. He has loaned works from his collection to special exhibitions at the Albuquerque Museum, the Yale Center for British Art and the J. Paul Getty Museum. In 1982, Raysor guest-curated a small exhibition at VMFA of 18th-century prints with classical subjects drawn from his collection in conjunction with the museum’s internationally important exhibition, Vases from Magna Graecia. In addition to his collecting, Raysor has made important contributions to print scholarship, including his collaboration on the catalogue raisonné of the works of Charles Meryon.

St Paul’s in HD — Just Like Being There?

Posted in on site, resources by Editor on April 17, 2011

This panoramic view of St. Paul’s in London is extraordinary. I’ve excerpted below the marketing copy from the company’s website. Quite apart from the quality of the image, it’s interesting to see this latest installation in the rhetoric of the real: it’s “just like actually being there” along with requisite exclamation marks!!! Click on the photo to view the interior images. From Spherical Images:

A London-based virtual tour company, Spherical Images provide HD quality virtual tours by photographing your venue using ground breaking technology – allowing you to bring your venue to the customer with unparalleled impact and quality. . . .

SPHERICAL IMAGES HD VIRTUAL TOURS BRING YOUR VENUE TO THE CUSTOMER IN UNRIVALLED DETAIL
They won’t just get an impression of your Venue, they will see what it is actually like to be there. This means they can plan an event and see the true potential and beauty of your Venue. Our Virtual Tours are shot using cutting edge photography techniques such as High Dynamic Range (HDR) and exposure blending to give you a full screen HD experience that is just like actually being there! Virtual Tours are becoming an essential tool for showing Venues online. Make your website convert by showing customers what you have.

ST PAUL’S CATHEDRAL 15.5 GIGA PIXEL PANORAMA (GIGAPAN)
One of the largest indoor photographs ever taken: 2,400 images stitched together to make a 15.5 Giga Pixel panorama. It took 3.5 hours to shoot – during which time the cathedral had completely filled up with tourists – hence the ‘half people’, floating heads etc! . . .

At EMOB: Free Trial of Gale Cengage’s British Literary MSS Online

Posted in resources by Editor on April 12, 2011

As noted at Early Modern Online Bibliography (10 April 2011) . . .

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For the next three weeks, emob readers can explore Gale Cengage’s British Literary Manuscripts Online for free. The database contains facsimile images of manuscripts digitized from microfilm. Though the texts themselves cannot be searched, their metadata  can be.  Authors can also be browsed alphabetically. The resolution is good, and legibility can be enhanced through digital magnification and brightness and contrast controls. Line tools and highlighting tools allow for digital annotation.

The product consists of two parts, both of which are included in the free trial: part one includes Medieval and Renaissance manuscripts; part two includes manuscripts written between 1660-1900.

On the database’s home page, the following links to online tutorials help with basic paleography. . . .

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The full posting at EMOB along with the link for free access is available here»

How I wish, incidentally, I had had access to the paleography tutorials before my first forays into manuscript research! These alone make the posting worth visiting (exploring the other offerings will, for me, have to wait until the weekend). Warm thanks to Anna Battigelli and Eleanor Shevlin for sharing news of the free trial with Enfilade readers. -CAH