Exhibition | Almost Real Art: A Satirical Archaeology of the RA
From the Royal Academy:
Almost Real Art: A Satirical Archaeology of the RA Collections and Library
Royal Academy of Arts, London, 1 November 2012 — 17 February 2013

Mark Hampson, The Remarkably Talented Thomas Gainsborough, 2012, mixed media © Mark Hampson
Since 2010, artist Mark Hampson has been working ‘in residence’ at the Royal Academy and from his studio in Kent on a collaboration with the RA Collections, Library and Archives. Exploring the RA’s holdings during this two-year period, he has created a satirically inspired ‘archaeological’ response to its complexities of information and histories. The resulting work exploits and distorts the ‘official’ biography of the RA, corrupting the apparent facts to produce newly imagined narratives that are rooted in the lives and works of some of the great artists who have been connected with the Academy.
Hampson’s imaginings take concrete form in a series of mock-historical artworks combining image and text, made in collaboration with commercial sign-makers. Alongside these, the artist offers up alternative versions of art societies, unions and academies that encourage us to ask why places like the RA exist, how its history has shaped it, and how different it might have been had it been subjected to other influences and ideas. Registering the enormous impact that individual personalities have had on the institution, he explores the clichéd image of the Romantic artist as eccentric, obsessive and self-mythologising. Throughout, however, Hampson’s satire is balanced by a deep affection for the institution and those who have made it, a feeling which has only grown the deeper he has probed its history.
Bringing together high and folk art, the fairground and the museum, history and anachronism, fact and fakery, Hampson has produced what he describes with characteristic ambiguity as ‘almost real art’.
Artist’s Talks
Tuesday 4 December 2012
Tuesday 5 February 2013
Mark Hampson gives an informal introduction to his work.
Meet at 3:30 pm in the Tennant Gallery. Free with an exhibition ticket.
Call for Papers | American Association for Italian Studies Conference
The complete Call for Papers is available at the conference website:
American Association for Italian Studies
University of Oregon, Eugene, 11-14 April 2013
Proposals due by 15 November 2012
We are pleased to invite you to join the forthcoming 2013 AAIS Conference that will be hosted by the Department of Romance Languages at the University of Oregon in Eugene, OR on April 11–14, 2013. The AAIS (American Association of Italian Studies) gathers scholars and intellectuals who conduct research in Italian literature and more broadly contribute to the study of the different aspects of Italian society and artistic production, including its influence on other cultures.
We envision next year’s conference as an opportunity for a stimulating and fruitful exchange of ideas and expertise that will span not only the different periods of Italian literature, but also related areas of scholarship such as art, art history, history, philosophy, music, photography, etc. We look forward to seeing you next April. For more information on the American Association for Italian Studies, please visit the AAIS website.
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