Enfilade

The eighteenth century in The Burlington:

The Burlington Magazine 156 (June 2014)

A R T I C L E S

• Meredith M. Hale, “Amsterdam Broadsheets as Sources for a Painted Screen in Mexico City, c. 1700,” pp. 356–64.
European print sources for a twelve-panel screen made in Mexico City (c. 1697–1701).

• Alvar González-Palacios, “Giardini and Passarini: Facts and Hypotheses,” pp. 365–75.
New documents on the gold- and silversmith Giovanni Giardini (1646–1721).

• Koenraad Brosens and Guy Delmarcel, “Raphael’s Acts of the Apostles: Italians in the Service of the Habsburg Monarchy and the Leyniers Tapestry Workshop, 1725–55,” pp. 376–81.
A seven-part series of tapestries made by Daniel Leyniers (1752–54) in the Villa Hugel, Essen, based on Raphael’s Acts of the Apostles (woven 1516–21).

R E V I E W S

• Simon Jervis, Review of the exhibition William Kent: Designing Georgian Britain, pp. 391–94.

• Christopher Baker, Review of Christopher Rowell, ed., Ham House: 400 Years of Collecting and Patronage (The Paul Mellon Centre for Studies in British Art and the National Trust, 2013), pp. 398–99.

• Kate Retford, Review of the exhibition catalogue Moira Goff et al, Georgians Revealed: Life, Style, and the Making of Modern Britain (British Library, 2013), p. 401.

• David Pullins, Review of the exhibition From Watteau to Fragonard: Les Fêtes Galantes, pp. 408–10.

• Philippe Bordes, Review of the exhibition Le Goût de Diderot, pp. 413–15.