Call for Papers | Artistic Correspondences: Rome and Europe, 1700–1900

Posted in Calls for Papers by Editor on January 31, 2015

From H-ArtHist:

Artistic Correspondences: Rome and Europe in the 18th and 19th Centuries
Rome, 15–16 June 2015

Proposals due by 1 March 2015

Epistolary correspondence among artists is a privileged source to unravel the dynamics of intellectual exchange across regional and national boundaries, as it requires a research agenda necessarily focused on ‘mobility’, and a transnational approach and methodology avoiding the rhetorical pitfalls of past European historiography. By focusing on the cosmopolitan context of 18th- and 19th-century Rome as a paradigmatic field of enquiry, the research network Artistic Correspondences: Rome and Europe in the 18th and 19th Centuries aims to recast epistolary exchanges among artists as an inescapable source of information on the transnational circulation of a shared stock of artworks, people, books, models, technical and critical skills across Europe. The organizing research team would like to meet other academics and research groups working on the same topic in order to explore new opportunities of collaboration at a European level.

The workshop to be held in Rome, 15–16 June 2015, is intended to explore new forms of research collaboration and dissemination of sources (e.g. networks, databases, digital repositories, etc.). The ultimate goal of the workshop is to initiate a debate leading to the construction of a digital platform of artists’ correspondences in the modern era. The workshop endorses a synchronic and diachronic approach to the study of artistic correspondences that will enable the mapping of geographical trajectories and cultural exchanges. We particularly welcome proposals illustrating the role of artists’ letters as a tool to study the history and historiography of collections from a comparative and interdisciplinary perspective; as a source offering new clues on the education and professional training of artists and their self promotion (e.g., the links between artists and institutions, artists and patrons, artists and intellectuals, etc.); as a document to trace the circulation of ideas and practices, rather than for sketching individual biographies (with a focus, therefore, on itineraries, geographies, social exchange, etc.); as a material providing insight on technical and specific terminology (e.g. words of practice, description of works of art, etc.).

Abstracts (maximum 200 words) for 25-minute papers should be submitted to Serenella Rolfi (serenella.rolfi@uniroma3.it) before 1 March 2015. We intend to provide travel allowance and/or accommodation for speakers with accepted papers.

Conference Committee: Serenella Rolfi (Dipartimento di Studi Umanistici, Università di Roma TRE), Giovanna Capitelli (Dipartimento di Studi Umanistici, Università della Calabria), Susanne Adina Meyer (Dipartimento di Scienze della formazione, dei beni culturali e del turismo, Università di Macerata), Ilaria Miarelli Mariani (Dipartimento di Lettere, Arti e Scienze Sociali, Università di Chieti), Christoph Frank and Carla Mazzarelli (Istituto di Storia e Teoria dell’arte e dell’architettura, Università della Svizzera Italiana), Maria Pia Donato (CNRS Institut d’Histoire Moderne et Contemporaine). With the cooperation of KNIR, Koninklijk Nederlands Instituut Rome and of the Svenska Institutet i Rom.


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