Display | Regarding Trees

Posted in exhibitions by InternRW on July 2, 2016

On view now at The Courtauld Gallery:

Regarding Trees
The Courtauld Gallery, London, 18 June — 25 September 2016

Curated by Rachel Sloan

The Chestnut Tree at Little Wymondley, Hertfordshire, 1789

Thomas Hearne, The Chestnut Tree at Little Wymondley, Hertfordshire, 1789, watercolour (London: The Courtauld Gallery)

“It is no exaggerated praise to call a tree the grandest, and most beautiful of all the productions of the earth.” With these words, the artist and theorist William Gilpin (1724–1804) opened his influential treatise Remarks on Forest Scenery and other Woodland Views (1791).

For as long as artists have created landscapes, the tree has been an essential element of them. But, intriguingly, almost from the beginning, individual trees have been the subject of close study in their own right. In many cases they serve as a means for artists to develop their powers of observation and manual dexterity as well as a tool for constructing larger landscapes. Whether studied directly from nature or conjured from the artist’s imagination, whether loaded with poetic or political symbolism or addressed in a down-to-earth, factual manner, artists through the ages have treated trees with the same reverence and psychological insight as a portraitist would accord a sitter.

This display of drawings, drawn from The Courtauld Gallery’s collection, explores artists’ enduring fascination with the tree. Ranging from the early sixteenth to the mid nineteenth centuries and including works by Fra Bartolommeo, Jan van Goyen, Claude Lorrain and John Constable, among others, it takes the framework of Gilpin’s treatise as its starting point, moving from portraits of individual trees to depictions of trees within landscapes and concluding with a selection of forest scenes. Together, they offer an insight into some of the many roles trees have played over the centuries.







Call for Papers | The Architect as Active Reader

Posted in Calls for Papers by Editor on July 2, 2016

From H-ArtHist:

The Architect as Active Reader
Vicenza, 15–17 June 2017

Proposals due by 15 September 2016

The Centro Internazionale di Studi di Architettura Andrea Palladio (CISA) will organize an international conference on the theme of The Architect as Active Reader, 15–17 June 2017. Printed treatises and texts have been the main vehicle for the communication of architectural ideas. Architects and builders, as owners of these texts, have left records of their thoughts in the form of subsequent annotations, comments, and drawings within the texts or closely connected to them. In developing the notion of the architect as an ‘active reader’ who absorbs new information for future practical application, the conference seeks to bring out examples of architects in dialogue with texts.

Geographic area and time period are open. Scholars may apply individually or propose a theme to be carried through in a single session by a group or team. (Such a theme might address a single architect’s varied reading practices; multiple approaches to a single work; the collecting practices revealed in an architect’s library). Contributions from scholars and librarians are welcome.

Those interested in participating with a contribution (20 minute limit) should send an outline (no more than 250 words) and brief CV (no more than 100 words) to cfp@cisapalladio.org by 15 September 2016. Speakers will be notified by 31 October 2016.