Display | Regarding Trees

Posted in exhibitions by InternRW on July 2, 2016

Regarding Trees
The Courtauld Gallery, London, 18 June — 25 September 2016

Curated by Rachel Sloan

Thomas Hearne, The Chestnut Tree at Little Wymondley, Hertfordshire, 1789, watercolour (London: The Courtauld Gallery)

“It is no exaggerated praise to call a tree the grandest, and most beautiful of all the productions of the earth.” With these words, the artist and theorist William Gilpin (1724–1804) opened his influential treatise Remarks on Forest Scenery and other Woodland Views (1791).

For as long as artists have created landscapes, the tree has been an essential element of them. But, intriguingly, almost from the beginning, individual trees have been the subject of close study in their own right. In many cases they serve as a means for artists to develop their powers of observation and manual dexterity as well as a tool for constructing larger landscapes. Whether studied directly from nature or conjured from the artist’s imagination, whether loaded with poetic or political symbolism or addressed in a down-to-earth, factual manner, artists through the ages have treated trees with the same reverence and psychological insight as a portraitist would accord a sitter.

This display of drawings, drawn from The Courtauld Gallery’s collection, explores artists’ enduring fascination with the tree. Ranging from the early sixteenth to the mid nineteenth centuries and including works by Fra Bartolommeo, Jan van Goyen, Claude Lorrain and John Constable, among others, it takes the framework of Gilpin’s treatise as its starting point, moving from portraits of individual trees to depictions of trees within landscapes and concluding with a selection of forest scenes. Together, they offer an insight into some of the many roles trees have played over the centuries.

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