Enfilade

Call for Papers | Fashion and Textiles between France and England

Posted in Calls for Papers by Editor on January 19, 2017

parislondres

mapsamplerrecadrc3a9

Matthew Darly, The Flower Garden, etching and engraving with watercolor, London, 1 May 1777 (New York: The Metropolitan Museum of Art); and wool sampler embroidered with silk, by Elizabeth Hawkins, Miss Powell’s Boarding School, Plymouth, England, 1797 (London: V&A).

◊  ◊  ◊  ◊  ◊

From the conference website:

Moving Beyond Paris and London: Influences, Circulation, and Rivalries
in Fashion and Textiles between France and England, 1700–1914
Au-delà de Paris – Londres: influences, circulations, rivalités
dans la mode et le textile. France-Angleterre, 1700–1914

Paris, 13–14 October 2017

Proposals due by 28 February 2017

The Séminaire Histoire de la mode (IHTP/CNRS) and the LARCA (Université Paris Diderot) are organizing a joint international conference in Paris, 13–14 October 2017: Moving Beyond Paris-London: Circulation and Exchange in Fashion and Textiles between France and England, 1700–1914. This conference is the latest in a series on cultural exchanges in fashion, which have included Haute Couture: Fashion and Consumption, France and England, 1947–1957 (11 April 2014), Franco-American Exchanges in Fashion (15 April 2016), and Franco-German Exchanges in Fashion (10–12 October 2016).

By looking closely at the relationship—at times friendly, at times not—between France and England through fashion and textiles between 1700 and 1914, this conference will touch on a number of topics, including: the circulation (lawful or illicit) of knowledge, individuals, and objects; the diffusion—and cross-fertilization—of design models between the two countries via press, engravings, or fashion dolls; the importation of textiles and clothing; the phenomena of copying, espionage, and counterfeits; the pursuit of protectionist policies which aimed to limit imports from the rival nation. Particular attention will be given to the different temporalities of industrialization of the two countries as a way to understand innovation and the progressive organization of professions in each. The comparison between the evolution of the two countries will also take into account examples of transfers across them such as with Charles Frederick Worth, the British designer who came to France in 1858 to open a couture house that rapidly became the symbol of haute couture in Paris.

These questions seek to examine the myriad ways in which fashion and textiles strengthened or frayed the political, economic, commercial, industrial, and cultural ties between the two countries. The conference also aims to shed new light on the geography of fashion by looking at capitals and production centers (Paris-London / Manchester-Rouen/ Lyon-Spitalfields), as well as by considering the more global context at a time of intense colonial rivalry between the two countries. Please send your paper proposals (200 words and a short biography) before February 28, 2017 to FrancoBritishFashion@gmail.com.

Scientific Committee / Comité Scientifique
Dr. Maude Bass-Krueger (Associated Researcher, IHTP/CNRS)
Dr. Ariane Fennetaux (MCF, LARCA [UMR 8225], Université Paris Diderot)
Dr. Sophie Kurkdjian (Associated Researcher, IHTP/CNRS)

Images: Matthew Darly, The Flower Garden, etching and engraving with watercolor, London, 1 May 1777 (New York: The Metropolitan Museum of Art); and wool sampler embroidered with silk, by Elizabeth Hawkins, Miss Powell’s Boarding School, Plymouth, England, 1797 (London: V&A).

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s