Enfilade

Conference | Enchanted Isles, Fatal Shores: Living Versailles

Posted in conferences (to attend) by Editor on March 13, 2017

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Hall of Mirrors (Galerie des Glaces), 1678–84
(Château de Versailles)

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From the conference programme and website:

Enchanted Isles, Fatal Shores: Living Versailles
NGA, the Australian National University, and the University of Sydney, 17–18 March 2017

Organized by Mark Ledbury, Robert Wellington, and Lucina Ward

On the occasion of the Versailles: Treasures from the Palace exhibition at the NGA, which brings major works of art from the Palace of Versailles to Canberra, this conference explores the history of art, design and architecture, and the enduring influence and resonance of Versailles, its desires and self-perceptions of modernity, from film to fashion to architecture. Gathering a generation of scholars whose work is shifting our perceptions of the art, culture and life of the ancien régime, Versailles and its reception, this is the occasion for fresh and challenging research, and new perspectives on canon-defining works.

The conference will be live streamed from the Australian National University School of Art & Design Facebook page on Friday March 17 (10:00–16:30 AEST) and Saturday March 18 (9:30–16:30 AEST). Please note the following time differences: Los Angeles -18hrs, New York -15hrs, London -11hrs, Paris -10hrs, Perth -3hrs, NZ +2hrs.

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F R I D A Y ,  1 7  M A R C H  2 0 1 7

10.00  Director’s Welcome

10.30  Session One: Making the Palace
• Hannah Williams (London), The Other Palace: Versailles and the Louvre
• Wolf Burchard (National Trust, UK), At the Centre of the World: Charles Le Brun’s Ambassadors Staircase at Versailles
• Bénédicte Gady (Louvre), The Grands Décors of Charles Le Brun: Between Plan and Serendipity

1.00  Session Two: The Culture Industry
• Sing d’Arcy (UNSW), Heavenly Voice, Earthly Bodies: The Physical Presence of Music Making in the Architectural Space of Versailles
• Matthew Martin (NGV), Porcelain and Power: The Meaning of Porcelain in Ancien Régime France
• Florian Knothe (HKU), Artisans du Roi: Collaborations at the Gobelins, Louvre and the Academie Royale de Peinture et de Sculpture under the Influence of the Petite Académie

3.00  Session Three: Living at Versailles
• Mimi Hellman (Skidmore), (Re)Imagining the ‘Government’ of a Royal Governess
• Sarah Grant (V&A), Courting Favour: The Apartments and Residence of the Princess of Lamballe at Versailles
• Kimberly Chrisman-Campbell (LA), Bigwigs: Hair, Politics, and Power at the Court of Versailles

S A T U R D A Y ,  1 8  M A R C H  2 0 1 7

9.30  Session Four: Outsiders
• David Maskill (Wellington), A Turk in the Hall of Mirrors
• Meredith Martin (NYU/IFA), From Port to Palace: Maritime Art and Mediterranean Servitude at Louis XIV’s Versailles (via video link)
• Daniëlle Kisluk-Grosheide (Met), Outside Insider: Cornelis Hop (1685–1762), Dutch Ambassador to the Court of Louis XV

11.30  Session Five: Representation
• Mark de Vitis (USyd), The Politics of Embellishment in Prints of Louis XIV
• Louis Marchesano (Getty), Strategies of Engraving and Etching in Description de la Grotte de Versailles 1676
• Sophie Matthiesson (NGV), From Fountains of Apollo to Fountains of Liberty: Artificial Landscapes as Political Spectacle in Eighteenth-Century France

2.00  Session Six: Versailles Now
• Allison Holland (Perth), Reverberations of Japanese Art at Versailles
• Jennifer Ferng (USyd), American Versailles: Kitsch Opulence, Capitalism and McMansion Dreams in Florida
• Robert Wellington (ANU), Tanned by the Sun King: Donald Trump and Louis XIV

3.30  Round Table

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