Enfilade

Conference | Circulating Crafts

Posted in conferences (to attend) by Editor on January 15, 2018

I’m always interested to see how one might extend the significance of a CAA panel beyond the conference itself. Here’s an interesting attempt with programming in Paris and LA. Last month I noted the first CAA panel, but I didn’t connect it to these other events. CAH

From the programme:

Circulating Crafts: Art, Agency, and the Making of Identities, 1600–2000
Paris, 24 January 2018 / Los Angeles, 21 February 2018

Organized by Yaëlle Biro and Noémie Étienne

Circulation and imitation of cultural products are key factors in shaping the material world—as well as identities. Many objects or techniques that came to be seen as local, authentic and typical are in fact entangled in complex transnational narratives tied to a history of appropriation, imperialism, and the commercial phenomenon of supply and demand.

In the 17th and 18th centuries, artists and craftspeople in Europe appropriated foreign techniques such as porcelain, textiles, or lacquers that eventually shaped local European identities. During the 19th century, Western consumers looked for genuine goods produced outside of industry, and the demand of Bourgeois tourism created a new market of authentic souvenirs and forgeries alike. Furthermore, the 20th century saw the (re)-emergence of local ‘Schools’ of art and crafts as responses to political changes, anthropological research, and/or tourist demand. This multi-part conference will explore how technical knowledge, immaterial desires, and political agendas impacted the production and consumption of visual and material culture in different times and places. A new scrutiny of this back and forth between demanders and suppliers will allow us to map anew a multi-directional market for cultural goods in which the source countries could be positioned at the center.

Contacts: yaelle.biro@metmuseum.org and noemie.etienne@ikg.unibe.ch

2 4  J A N U A R Y  2 0 1 8

Part 1 | Workshop: Circulating Crafts
La Colonie, 178 boulevard Lafayette, 75010 Paris

9.00  Welcome and Introduction by Yaëlle Biro and Noémie Étienne

9.15  Session A
• Ariane Fennetaux (Université Paris Diderot), From Coromandel with Love: The Glocalisation of Indian Cottons in the 17th and 18th Centuries
• Chonja Lee (Bern University), Made in Switzerland: How Swiss Indiennes Became Autochtone and Dressed the World at the Same Time
• Aziza Gril-Mariotte (Université de Haute-Alsace), Modèles, emprunts et circulation des formes occidentales dans les toiles peintes au XVIIIe siècle

11.15  Coffee break

11.30  Session B
• James Green (University of East Anglia), Appropriating Kongo Colors: Red, White and Black in 19th-Century English Trade Cloth
• Manuel Charpy, CNRS, Lille), Changing Sides? Consumption and Political Uses of Western Clothing in Congo, 1830–1960

13.00  Lunch break

14.00  Session C
• Thomas Grillot (CNRS, Paris), Marketing Family Heirlooms: Three Generations of American Indian Artists in the Northern Plains
• Rémi Labrusse (Université Paris-Nanterre), Hybridité et identité en Algérie à la veille de l’invasion française: le cas du palais du Bey de Constantine

15.20  Coffee break

15.35  Session D
• Julien Volper (Tervuren Museum), Du Bénin à l’Inde en passant par le Congo: Origines, in uences et voyages d’objets africains du XIXe et du XXe siècles
• Jonathan Fine (Ethnologisches Museum, Berlin), Crafting Culture: The Co-Production of ‘Bamum’ Art in the 1920s
• Gaëlle Beaujean (Musée du quai Branly – Jacques Chirac), Sirène, vierge, charmeuse de serpent et Atlantique

17.35  Discussion

2 1  F E B R U A R Y  2 0 1 8

Part 2 | Conference Panels: Art, Agency, and the Making of Identities, 1600–2000
College Art Association, Convention Center, Los Angeles

2.00  Panel I
• Helen Glaister (SOAS, University of London / Victoria & Albert Museum, London), The Picturesque in Peking: European Decoration at the Qing Court
• Dorothy Armstrong (Royal College of Art / Victoria & Albert Museum, London), A Transnational Loop: Pakistan’s Repossession of the Oriental Carpet Imaginary and its Production
• Tingting Xu (University of Chicago), The Rivers Folded: Souvenir Accordion Panoramas in the Late 19th-Century Global Tourism
• Karen Milbourne (Smithsonian National Museum of African Art), Lozi Style: King Lewanika and the Marketing of Barotseland

4.00  Panel II
• Ashley Miller (UC Berkeley), ‘What is Colonial Art and Can It Be Modern?’: Moroccan Modernisms at the Art Deco Exposition in Paris, 1925
• Victoria Rovine (University of North Carolina), A Wider Loom: Textiles and Colonial Politics of Authenticity in the Soudan Français
• Gail Levin (The City University of New York), Frida Kahlo’s Invention of Jewish Identity
• Niko Vicario (Amherst College), From Duco to Comex: The Politics of Synthetic Paint in the Americas

Illustration: French textile design for the West African slave trade market, Nantes, 18th century., “L’album des indiennes de traite de Favre, Petitpierre et Cie” (Henry-René d’Allemagne, La Toile imprimée et les indiennes de traite, Paris, Gründ, 1942, plate 69).

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