Enfilade

The Burlington Magazine, March 2018

Posted in books, exhibitions, journal articles, reviews by Editor on March 27, 2018

The eighteenth century in The Burlington:

The Burlington Magazine 160 (March 2018)


Portrait of a Consul, identified by Lucy Whitaker as a portrait of Joseph Smith, pencil and watercolour on paper, 28.6 × 20 cm; page from Giovanni Grevembroch: Gli abiti de’ veneziani di quasi ogni età con diligenza raccoliti e dipinti nel secolo XVIII (Venice: Biblioteca del Museo Correr, MS Gradenigo-Dolfin 49, II, fol.125.2).

A R T I C L E S

• Lucy Whitaker, “A Portrait of Consul Smith,” pp. 214–16. A watercolour in Giovanni Grevembroch’s Gli abiti de’ veneziani, compiled ca. 1754–59, can probably be identified as the only surviving portrait of the celebrated art collector and art dealer Joseph Smith, British consul in Venice from 1744 to 1760.
• Esmé Whittaker, “‘Almost Her Creation’: Georgiana, Duchess of Devonshire, and the Decoration of Chiswick House,” pp. 217–25. Letters, inventories and contemporary prints and drawings help paint a clearer picture of the extensions made to Chiswick House, London, in 1790–92 and the role that Georgiana, Duchess of Devonshire, played in their execution and furnishing.

R E V I E W S

• Duncan Robinson, Review of the exhibition Casanova: The Seduction of Europe (Kimbell Art Museum, Fort Worth, 2017; The Legion of Honor, San Francisco, 2018; and Museum of Fine Arts, Boston, 2018), pp. 241–43.
• David Pullins, Review of the exhibition Shockingly Mad: Henry Fuseli and the Art of Drawing (Art Institute of Chicago, 2018), pp. 243–44.

Redesigned ‘Dictionary of Art Historians’ Unveiled

Posted in resources by Editor on March 27, 2018

As announced by the team behind the Dictionary of Art Historians (21 March 2018). . . And as noted toward the end of the announcement, the DAH continues to accept contributions, including new entries.

A thirty-year-old resource emerged today as a modern reference tool for art history. The Dictionary of Art Historians announces a new interface, data structure, and user options, the product of a year-long redesign. The original tool, a website since 1996, was developed privately by Lee Sorensen, the art and visual studies librarian at Duke University. Duke’s Wired! Lab for digital art history & visual culture sponsored the project beginning in 2016. The new DAH offers searchable data on over 2400 art historians, museum directors, and art-writers of western art from all time periods. Over 200 academic websites have linked to the project; the tool has been called one of the core tools of art historiography and cited in books and journal articles.

Begun pre-internet in 1986 as a card file, the project addressed a lack of information on the intellectual heritage that art historians created or used in writing art histories. “Before the DAH, it was impossible to discover even simple things like an art historian’s scholarly reputation, his/her core writings or even under whom they studied,” Sorensen said. “These things are important when reading a text or trying to understand the errors of past research.”

“The project’s redesign recognizes twenty-first-century scholars’ need to access information in the DAH using multiple digital research methods,” said Hannah Jacobs, Wired!’s digital humanities specialist responsible for the redesign, “It redefines the project content as data that can be mined at both micro and macro levels. By standardizing the data and developing new ways to access the data, we are making methods such as text mining, data analysis, and data visualization possible for our audiences.”

The new Dictionary of Art Historians site will continue to be developed over the coming year. New features to be released include
• Additional filtering capabilities on the ‘Explore’ page
• Ability to export filtered entries in open data formats
• Additional resources for citation management
• New data fields
• New and updated entries

The Dictionary of Art Historians continues to accept contributions. Please submit feedback about the project, new entries, or edits to existing entries to contact@arthistorians.info.