Enfilade

Exhibition | Canaletto, 1697–1768

Posted in books, catalogues, exhibitions by Editor on May 30, 2018

Now on view at the Museo di Roma:

Canaletto, 1697–1768
Museo di Roma, Palazzo Braschi, Rome, 11 April — 19 August 2018

Curated by Bożena Anna Kowalczyk

Italy’s capital celebrates Canaletto (1697–1768) by bringing together works from some of the most important museums and galleries in the world. On display, to celebrate the 250th anniversary of the artist’s death, is the largest collection of his works ever exhibited in Italy: 67 paintings, drawings, and documents. Outstanding among the masterpieces are two works from the Pinacoteca del Lingotto Giovanni e Marella Agnelli in Turin, The Grand Canal from the North, towards the Rialto Bridge and The Grand Canal with Santa Maria della Carità, on display for the first time together with the manuscript from the Biblioteca statale di Lucca. Also for the first time, the two parts of a single large canvas cut before 1802, depicting Chelsea from Battersea Reach, are brought together. The left part comes from the National Trust property Blickling Hall in the UK; the right part, from the Museo Nacional De Bellas Artes de la Hanana, has been loaned for the first time by the government of Cuba.

Bozena Anna Kowalczyk, Canaletto, 1697–1768 (Milan: Silvana, 2018), 256 pages, ISBN: 978-8836639328 (English edition), €34 / $55.

New Book | Making Majesty: The Throne Room at Dublin Castle

Posted in books by Editor on May 30, 2018

From Irish Academic Press:

Myles Campbell and William Derham, eds., Making Majesty: The Throne Room at Dublin Castle, A Cultural History (Newbridge: Irish Academic Press, 2017), 372 pages, ISBN: 978-1911024736 (hardback), €60 / ISBN: 978-1911024729 (paperback), €60.

The Throne Room at Dublin Castle was the ultimate focus of viceregal ceremony, royal visits and many great state occasions both before and after Irish independence in 1922—a touchstone of British authority and Irish autonomy that can be analysed through the details of its form and furnishing. Making Majesty is an elegant collection of essays by leading Irish art and architectural historians that covers a broad range of perspectives, which help to enhance our understanding of this lavish and highly significant historical space, shedding new light on the major and minor figures who created, ornamented, decorated, and made use of it.

The first output of an ongoing programme of research into the cultural history of the State Apartments at Dublin Castle, Making Majesty presents original findings that offer a new reading of the nature and presence of the British monarchy and the viceregal court in Ireland. With insightful analysis that draws upon uniquely accessed archives, the contributors bring to light every aspect of how Dublin Castle’s authorities wished to be perceived and how that changed according to the whims of imperious viceroys, renowned craftsmen, and an Irish state wishing to secure an image of its newfound self-determination.

Myles Campbell works for the Office of Public Works at Dublin Castle in the recently established Collections, Research and Interpretation Office. He is co-editor of The Chapel Royal, Dublin Castle: An Architectural History (2015) and has contributed peer-reviewed articles and chapters to books by various academic publishers. His work on Making Majesty has earned him the inaugural George B. Clarke Prize.
William Derham works for the Office of Public Works at Dublin Castle in the recently established Collections, Research and Interpretation Office. He is co-editor of The Chapel Royal, Dublin Castle: An Architectural History (2015) and is author of Lost Ireland: 1860–1960 (2016).

C O N T E N T S

Foreword by HRH The Prince of Wales
Preface by Mary Heffernan, OPW
Contributors and Editors
Editors’ Acknowledgements
Editors’ Note
Editors’ Introduction

• Jane Fenlon, The Presence Chamber at Dublin Castle in the Seventeenth Century
• Patricia McCarthy, ‘Trophys and Festoons’: The Lost Presence Chamber, 1684–1788
• Myles Campbell, ‘Sketches of their Boundless Mind’: The Marquess of Buckingham and the Presence Chamber at Dublin Castle, 1788–1838
• Graham Hickey, ‘Quite Like a Palace’: The Presence Chamber at Dublin Castle, 1838–1911
• Ludovica Neglie, ‘Admirably Calculated for the Object’: Gaetano Gandolfi’s Paintings in the Throne Room at Dublin Castle
• Sylvie Kleinman, Where Crown Met Town: The Presence of Lay Catholics and the Uncrowned Monarch of Ireland in the Chamber, c. 1795–1845
• Kathryn Milligan, Royal Visits to Dublin, 1821–1911: Pier, Procession, Presence Chamber
• Éimear O’Connor, (Ad)dressing Home Rule: Irish Home Industries, the Throne Room and Lady Aberdeen’s Modern Modes of Display
• William Derham, (Re)making Majesty: The Throne Room at Dublin Castle, 1911–2011
• Christopher Warleigh-Lack, The Creation and Evolution of Hillsborough Castle’s Throne Room: What’s in a Name?

Index

Note (added 30 May 2018) — The original posting included an incorrect table of contents.