Exhibition | Winckelmann and the Vatican Museums
Now on view at the Vatican:
Winckelmann: Masterpieces throughout the Vatican Museums
Winckelmann: Capolavori diffusi nei Musei Vaticani
Vatican Museums, 9 November 2018 — 9 March 2019
Curated by Guido Comini and Claudia Valeri
A ‘journey within the journey’ along the entire Vatican Museums tour itinerary, this ‘dispersed’ exhibition celebrates the great German scholar Johann Joachim Winckelmann, father of modern archaeology and precursor of today’s art historians. Preceded by and announced in May at the study day on the Montalto Collection in Villa Negroni, Winckelmann: Masterpieces throughout the Vatican Museums symbolically brings to a conclusion the many initiatives organized to honour the renowned archaeologist in the dual anniversary year of 2018—300 years since his birth and 250 since his tragic death in Trieste.
In the years of his ‘dazzling’ stay in Rome (1755–1768), the Vatican Museums as we know them did not yet exist, but Winckelmann already visited the Vatican Belvedere and returned repeatedly to admire the statues conserved there. Indeed, it was due to his favourable judgement that many antiquities that he studied during his visits to the monuments and collections of the Eternal City were then purchased by the pontiffs. The exhibition, curated by Guido Cornini and Claudia Valeri, is intended to highlight precisely this role of the Vatican collections as a cornerstone for the studies, theories, and writings of the renowned German archaeologist. All sectors of the museums have been involved in this impressive and original exhibition project that offers the visitor a thematic itinerary with pauses for in-depth analysis of 50 selected works—on the basis of the role Winckelmann attributed to them in the construction of his aesthetic thought.
Room XVII of the Pinacoteca is dedicated to the presentation of the figure and his age. The screening of a film and the display of some of his most important writings help explain the atmosphere and cultural climate of Rome around the mid-eighteenth century. Winckelmann arrived in 1755 for a brief stay and instead spent the rest of his life in Italy; enchanted by the grandiose beauty of the antiquities, he devoted all his attention and prodigious talent to them.
Guido Comini and Claudia Valeri, Winckelmann: Masterpieces throughout the Vatican Museums (Vatican City: Edizioni Musei Vaticani, 2018), 232 pages, ISBN: 978-8882714307, $58. Also available in Italian.
New Book | Johann Joachim Winckelmann
Available from Artbooks.com:
Elisa Debenedetti, ed., Johann Joachim Winckelmann (1717–1768) nel duplice anniversario (Rome: Quasar, 2018), 344 pages, ISBN: 978-8871409191, €60 / $95.
C O N T E N T S
• Editoriale, Elisa Debenedetti
• Johann Joachim Winckelmann (1717–1768) nella doppia ricorrenza, Claudio Strinati
• Winckelmann und seine Eminenzen, Steffi Roettgen
• Tra lettere e licenze: Luci e ombre su Winckelmann Commissario delle antichità (1763–1768), Federica Papi
• ‘Quando con questo dubbio osservai di nuovo la nostra opera, mi si accese una luce’: Le intuizioni iconografiche di Winckelmann, Brigitte Kuhn-Forte
• Winckelmann als Apodemiker, Martin Disselkamp
• Un database in miniatura: Il manoscritto di Winckelmann alla Biblioteca Nazionale Centrale di Roma, Gabriella Catalano
• Addendum al corpus degli scritti di Winckelmann, Stefano Ferrari
• Winckelmann nel Regno di Napoli, oltre il Museo ercolanense: Pozzuoli e Paestum, Fabio Mangone
• Osservazioni dalla mostra Il Tesoro di Antichità (Musei Capitolini, 7/12/2017 – 22/4/2018), Pierluigi Panza
• Winckelmann: Moderne Antike Recensione della mostra al Neues Museum di Weimar dal 7 aprile al 2 luglio 2017, Davide Ferri
• Winckelmann a Milano, Pierluigi Panza
• Iniziative dei Musei Vaticani in occasione delle celebrazioni dedicate a Johann Joachim Winckelmann, Claudia Valeri
• La ‘Sala delle cose egizie’ del museo Pio-Clementino: alcune considerazioni, Rosella Carloni
• Dipinti e opere d’arte in Casa Albani: L’allestimento delle collezioni di famiglia in un inventario del 1724, Matteo Borchia
• Pergolati, fontane ed erme a Villa Albani: Un’ipotesi di ricostruzione, Alberta Campitelli
• La genesi della Pala di Possagno e l’interpretazione critica di Giulio Carlo Argan, Elisa Debenedetti
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