Foundling Museum Acquires Portrait of Duchess of Manchester

Posted in museums by Editor on January 24, 2019

From The Foundling Museum:

Andrea Soldi, Portrait of Isabella Duchess of Manchester, 1738 (London: The Foundling Museum).

The Foundling Museum has acquired a painting by celebrated 18th-century artist Andrea Soldi portraying Isabella, Duchess of Manchester, one of Thomas Coram’s key female supporters who provided the catalyst for the establishment of the Foundling Hospital. This is a significant acquisition for the Museum, being the only portrait of a key female supporter of the Foundling Hospital, prior to its foundation in 1739, to enter the Foundling Museum Collection and one of the first paintings of a woman to hang permanently in the Picture Gallery.

On 6 January 1730, the Duchess of Manchester became the fifth Lady to sign Coram’s petition. Her husband would subsequently put his name to the Royal Charter in 1739. This acquisition is complemented by two other paintings of women. A portrait of Charlotte, Duchess of Somerset (the petition’s first signatory) attributed to Charles D’Agar, on loan to the Museum from Lord Egremont, is joined by a portrait of Beatrice Forbes, one of the Foundling Hospital’s five female Governors, painted in 1906 by William Carter. Together, these three paintings are a landmark in the Picture Gallery’s permanent display, which until now has never included a portrait of a woman. Surrounded by paintings of the male governors who were the public face of the charity, these three portraits enable visitors to appreciate the crucial role that women played not only in establishing the Foundling Hospital, but also in shaping British society.

The acquisition follows the success of a year-long programme in 2018 marking the centenary of female suffrage—a programme that included the exhibition Ladies of Quality and Distinction, which featured the portrait of Isabella, Duchess of Manchester, alongside portraits of the other twenty-one Ladies who were Thomas Coram’s first supporters. In the face of male indifference and risking society’s disapproval, these women put their names to the first petition submitted to King George II in 1735 that called for the establishment of a home for “abandoned and deserted young children.” The support of these pioneering women was crucial in overcoming moral concerns about Coram’s project, enabling his campaign to gain the critical momentum that led to the establishment of the UK’s first children’s charity.

The acquisition of the portrait of the Duchess of Manchester has been made possible with the help of Art Fund, the Arts Council England/V&A Purchase Grant Fund, The Friends of Thomas Coram, and a number of generous individuals donors.

Exhibition | Early Gainsborough

Posted in exhibitions by Editor on January 24, 2019

Thomas Gainsborough, Mr. and Mrs. John Brown and Their Daughter, Anna Maria, ca. 1754–55, oil on canvas
(Private Collection, Norfolk)

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Now on view at Gainsborough’s House:

Early Gainsborough: ‘From the Obscurity of a Country Town’
Gainsborough’s House, Sudbury, Suffolk, 20 October 2018 — 17 February 2019

This exhibition focusses on the early life and art of Thomas Gainsborough (1727–1788). It explores how Gainsborough made his first steps in the art world from the inspiration of the landscape surrounding his hometown of Sudbury, through his training in London in the 1740s, to his return to Suffolk around 1748. This is a particularly important exhibition for Gainsborough’s House because it deals with Gainsborough’s time in Sudbury, his family, and reveals for the first time new research on this significant period of the burgeoning artist. The exhibition shows paintings from Gainsborough’s House collection, new acquisitions, and loans that give new insight into Gainsborough’s early life and development as an artist. It will draw on a significant collection of the paintings, prints, and ephemera on Gainsborough from the 1740s.

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