Enfilade

From Reaktion Books:

Timon Screech, Tokyo Before Tokyo: Power and Magic in the Shogun’s City of Edo (London: Reaktion Books, 2020), 240 pages, ISBN: 9781789142334, £25 / $40.

Tokyo today is one of the world’s mega-cities, and the centre of a scintillating, hyper-modern culture—but not everyone is aware of its past. Founded in 1590 as the seat of the warlord Tokugawa family, Tokyo, then called ‘Edo’, was the locus of Japanese trade, economics and urban civilization until 1868, when it mutated into Tokyo and became Japan’s modern capital.

This beautifully illustrated book presents important sites and features from the rich history of Edo, drawn from contemporary sources such as diaries, guidebooks and woodblock prints. These include the huge bridge on which the city was centred, the vast castle of the shogun, sumptuous Buddhist temples, bars, kabuki theatres and the Yoshiwara, Edo’s famous red-light district.

Timon Screech is Professor in the History of Art at SOAS, University of London, and a Fellow of the British Academy. He is the author of many books, including Sex and the Floating World: Erotic Images in Japan, 1700–1820 (2nd edn, Reaktion, 2009).

C O N T E N T S

Introduction
1  The Ideal City
2  The Centre of the Shogun’s Realm
3  Edo as Sacred Space
4  Reading Edo Castle
5  The City’s Poetic Presence
6  A Trip to the Yoshiwara
Epilogue: From Edo to Tokyo

References
Selected Sources and Further Reading
General Bibliography
Acknowledgements
Photo Acknowledgements

From Bloomsbury:

Serena Dyer and Chloe Wigston Smith, eds., Material Literacy in Eighteenth-Century Britain: A Nation of Makers (New York: Bloomsbury, 2020), 328 pages, ISBN: 978-1501349614, $135.

The eighteenth century has been hailed for its revolution in consumer culture, but Material Literacy in Eighteenth-Century Britain repositions Britain as a nation of makers. It brings new attention to eighteenth-century craftswomen and men with its focus on the material knowledge possessed not only by professional artisans and amateur makers, but also by skilled consumers. This edited collection gathers together a group of interdisciplinary scholars working in the fields of art history, history, literature, and museum studies to unearth the tactile and tacit knowledge that underpinned fashion, tailoring, and textile production. It invites us into the workshops, drawing rooms, and backrooms of a broad range of creators, and uncovers how production and tacit knowledge extended beyond the factories and machines which dominate industrial histories.

This book illuminates, for the first time, the material literacies learnt, enacted, and understood by British producers and consumers. The skills required for sewing, embroidering, and the textile arts were possessed by a large proportion of the British population: men, women and children, professional and amateur alike. Building on previous studies of shoppers and consumption in the period, as well as narratives of manufacture, these essays document the multiplicity of small producers behind Britain’s consumer revolution, reshaping our understanding of the dynamics between making and objects, consumption and production. It demonstrates how material knowledge formed an essential part of daily life for eighteenth-century Britons. Craft technique, practice, and production, the contributors show, constituted forms of tactile languages that joined makers together, whether they produced objects for profit or pleasure.

Serena Dyer is Lecturer in History of Design and Material Culture at De Montfort University. She has taught at the University of Warwick and the University of Hertfordshire, and was Postdoctoral Fellow at the Paul Mellon Centre for Studies in British Art. She was previously Curator of the Museum of Domestic Design and Architecture. She has published on albums, wallpaper, consumer culture, and childhood in the eighteenth century. Her book, Material Lives: Women Makers and Consumer Culture in the Eighteenth Century, is forthcoming with Bloomsbury.

Chloe Wigston Smith is Senior Lecturer in the Department of English and Related Literature and the Centre for Eighteenth Century Studies at the University of York. She is the author of Women, Work, and Clothes in the Eighteenth-Century Novel (Cambridge University Press, 2013), as well as articles on women in literature, material culture studies and fashion culture. Her current British Academy funded project looks at domestic crafts in the Atlantic world.

C O N T E N T S

List of Figures
List of Tables
Notes on Contributors
Acknowledgements

1  Serena Dyer (De Montfort University) and Chloe Wigston Smith (University of York), Introduction
2  Ariane Fennetaux (University of Paris), ‘Work’d pockets to my entire satisfaction’: Women and the Multiple Literacies of Making
3  Crystal B. Lake (Wright State University), Needlework Verse
4  Chloe Wigston Smith (University of York), Domestic Crafts at the School of Arts
5  Nicole Pohl (Oxford Brookes University), ‘To Embroider what is Wanting’: Making, Consuming and Mending Textiles in the Lives of the Bluestockings
6  Jon Stobart (Manchester Metropolitan University), Material Literacies of Home Comfort in Georgian England
7  Serena Dyer (De Montfort University), Stitching and Shopping: The Material Literacy of the Consumer
8  Alicia Kerfoot (SUNY Brockport), Stitching the It-Narrative in The History and Adventures of a Lady’s Slippers and Shoes
9  Sarah Howard (Independent Scholar, UK), Making, Measuring and Selling in Hampshire: The Provincial Tailor’s Accounts of George and Benjamin Ferrey
10  Emily Taylor (National Museums Scotland), Gendered Making and Material Knowledge: Tailors and Mantua-Makers, c. 1760–1820
11  Hilary Davidson (University of Sydney), Dress and Dressmaking: Material Evolution in Regency Dress Construction
12  Elisabeth Gernerd (Historic Royal Palaces), Fancy Feathers: The Feather Trade in Britain and the Atlantic World
13  Robbie Richardson (University of Kent), Tomahawks and Scalping Knives: Manufacturing Savagery in Britain
14  Laura Engel (Duquesne University), The Lady Vanishes: Madame Tussaud’s Self Portrait and Material Legacies
15  Beth Fowkes Tobin (University of Georgia), Learning to Craft

Select Bibliography
Index

From the University of Virginia Press:

Miriam Jacobson and Julie Park, eds., Organic Supplements: Bodies and Things of the Natural World, 1580–1790 (Charlottesville: University of Virginia Press, 2020), 296 pages, ISBN 978-0813944937 (hardback) / ISBN 978-0813944944 (paperback) / ISBN 978-0813944951 (Ebook), $35.

From the hair of a famous dead poet to botanical ornaments and meat pies, the subjects of this book are dynamic, organic artifacts. A cross-disciplinary collection of essays, Organic Supplements examines the interlaced relationships between natural things and human beings in early modern and eighteenth-century Europe. The material qualities of things as living organisms–and things that originate from living organisms– enabled a range of critical actions and experiences to take place for the people who wore, used, consumed, or perceived them.

Miriam Jacobson is Associate Professor of English at the University of Georgia and author of Barbarous Antiquity: Reorienting the Past in the Poetry of Early Modern England.

Julie Park is Assistant Curator and Faculty Fellow at the Special Collections Center of Elmer Holmes Bobst Library, New York University, and author of The Self and It: Novel Objects in Eighteenth-Century England.

C O N T E N T S

Acknowledgments

Introduction: Process and Connection

Part 1. Inscription and Incorporation
• Julie Park, Feather, Flourish, and Flow: The Organic Technology of Early Modern Handwriting
• Rebecca Laroche, The Flower of Ointments and Early Modern Transcorporeality
• Kevin Lambert, The Paris Opéra as a Vibrating Body: Feeling Pygmalion’s Kiss

Part II. Interface and Merger
• Jessica Wolfe, Gorgonick Spirits: Myth, Figuration, and Mineral Vivency in the Writings of Thomas Browne
• Lynn Festa, Things with Kid Gloves
• Miriam Jacobson, Vegetable Loves: Botanical Enthrallment in Early Modern Poetry

Part III. Vitality and Decay
• Michael Yonan, Knowing the World through Rococo Ornamental Prints
• Diane Purkiss, Fingers in the Pie: Baked Meats, Adultery, and Adulteration
• Jayne Lewis, Milton’s Hair
• Julia Reinhard Lupton, Afterword: Virtuous Properties of the Organic Supplement

Notes on Contributors
Index