New Book | Jean-Henri Riesener
From Bloomsbury:
Helen Jacobsen, Rufus Bird, and Mia Jackson, eds., Jean-Henri Riesener: Cabinetmaker to Louis XVI and Marie Antoinette (London: Philip Wilson Publishers, 2021), 304 pages, ISBN: 978-1781300909, £50 / $100.
Jean-Henri Riesener (1734–1806) was one of the greatest French cabinetmakers of all time. From humble beginnings as a German immigrant in Paris, he found fame through the delivery of a magnificent roll-top desk to Louis XV in 1769 and went on to become Marie-Antoinette’s favourite cabinetmaker, supplying the queen and the court of Louis XVI with sumptuous furniture of superb quality. Renowned for his exquisite marquetry and refined designs, his pieces were ornamented with spectacular gilt-bronze mounts made by some of the greatest metalworkers in Paris. In the nineteenth century, Riesener’s name became associated with the very best of Louis XVI-period French furniture; his pieces continue to be highly sought after and are found in major museums worldwide.
This first major monograph on Riesener traces his life and career, bringing new insights into his business practice, his designs, and construction techniques. Based on the extensive collections of Riesener furniture in the Wallace Collection, Waddesdon Manor, and the Royal Collection, the authors examine the objects and their history and highlight the changing tastes of the nineteenth-century collectors who acquired so many former French royal pieces. The new illustrations and visual glossary add another important resource for art historians, decorative arts enthusiasts, and furniture lovers.
Helen Jacobsen is Senior Curator and Curator of French Eighteenth-Century Decorative Arts at the Wallace Collection. Rufus Bird is Surveyor of The Queen’s Works of Art. Mia Jackson is Curator of Decorative Arts at Waddesdon Manor.
C O N T E N T S
The Cabinetmaker
• Christian Baulez, Jean-Henri Riesener: A Portrait Sketch
• Laura Langelüddecke, A German in Paris
• Carolyn Sargentson, Jean-Henri Riesener and the Business of Furniture-Making
• Lindsay Macnaughton, A Question of Language: The Royal Furniture Administration’s Accounts
• Mia Jackson, ‘Executed in the Taste of Painting’: Riesener’s Marquetry Designs
• Juliet Carey, Jean-Henri Riesener: The Portraits
The Collectors
• Rufus Bird, From Versailles to Windsor Castle: George IV and Riesener
• Helen Jacobsen, Alteration and Appropriation: The 4th Marquess of Hertford and the Taste for Riesener
• Ulrich Leben, Riesener and the Rothschilds at Waddesdon Manor
• Daniëlle Kisluk-Grosheide, Buying from Britain: The Development of a New Market
The Furniture
• Works in the Wallace Collection, the Royal Collection, and Waddesdon Manor
The Materials and Techniques
• Jürgen Huber, Materials and Techniques
• Alexander Collins, Visual Glossary
The Decorative Arts Trust Announces Four Failey Grants
Hunter House, ca. 1748. Courtesy the Preservation Society of Newport County.
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Press release from The Decorative Arts Trust (11 December 2020). . .
The Decorative Arts Trust congratulates the New-York Historical Society, the Preservation Society of Newport County, and authors Adrienne Childs and Iris Moon on receiving Failey Grants. The Failey Grant program provides support for noteworthy research, exhibition, publication, and conservation projects through the Dean F. Failey Fund, named in honor of the Trust’s late Governor. Preference is given to projects that employ or are led by emerging professionals in the museum field. The Trust increased the amount of funding available this cycle to $25,000 in recognition of the acute need for resources to underwrite important endeavors.
• New-York Historical Society will open the groundbreaking exhibition Black Dolls in 2022.
• The Preservation Society of Newport County in RI is planning a comprehensive reinterpretation of Hunter House.
• Adrienne Childs is finalizing the manuscript of Ornamental Blackness, to be published by Yale University Press in 2023.
• Iris Moon is concluding an analysis of the decorative arts of the French Revolution that will result in the publication of Luxury of Terror by the Pennsylvania State Press in 2022.
Topsy-turvy Doll, United States, 1890–1905, textile and paint (New-York Historical Society, Gift of Katharine Prentis Murphy, 1961).
In 2022, the New-York Historical Society will open the groundbreaking exhibition Black Dolls, which examines handmade Black dolls as both artistic expressions and windows into critical issues of race, gender, identity, and the legacy of slavery. Drawing from the collection of Deborah Neff, the show will present more than 100 home-made cloth dolls created largely by African American women between 1850 and 1940. Co-curated by Margaret K. Hofer, Vice President and Museum Director, and Dominique Jean-Louis, Project Historian, the exhibition will immerse visitors into the world of dolls, doll play, and doll making.
The Preservation Society of Newport County in Rhode Island is planning a comprehensive reinterpretation of Hunter House, the oldest property in the Society’s collection and long a landmark of Newport’s 18th-century prominence. The project aims to expand the public’s knowledge of the house through an overhauled interpretive presentation for onsite and online visitors. The investigation is led by research fellows Catherine Doucette and MaryKate Smolenski under the guidance of Leslie B. Jones, Director of Museum Affairs and Chief Curator. The team will address the ethics, scholarship, and restoration of histories and voices missing from the historic site. The new visitor experience will present an inclusive story that details Newport’s complex role in the economies of slavery and colonialism.
Clock Case, Paris, ca. 1785 (Washington, DC: Hillwood Estate, Museum and Gardens, Bequest of Marjorie Merriweather Post, 1973).
Adrienne Childs is finalizing the manuscript of Ornamental Blackness, to be published by Yale University Press in 2023. The book examines the long and complex tradition of the ornamental Black figure in European art and will create a framework for understanding how the decorative arts figure into the larger discourse of representing Blacks in European visual culture. Scant critical attention has been paid to this material, and the publication will have great value to museums, historic houses, and academia. Childs is an Associate of the W.E.B. Du Bois Research Institute at the Hutchins Center for African and African American Research at Harvard University.
Iris Moon, Assistant Curator of European ceramics and glass at The Metropolitan Museum of Art, is concluding an analysis of the decorative arts of the French Revolution that will result in the publication of Luxury of Terror by the Pennsylvania State Press in 2022. Moon’s research explores the production and circulation of French luxury after the death of Louis XVI and Marie Antoinette and how makers with strong ties to the monarchy found ways to survive the Terror, the most radical and violent phase of the Revolution. The publication will expand the study of French decorative arts by drawing attention to the creative and experimental forms of luxury that emerged during a turbulent period of history.
Dihl et Guérhard, possibly painted by Jean-Baptiste Coste, Pair of Vases with Landscapes at Sea and on Land, Paris, ca. 1797–98, hard-paste porcelain with enamel decoration and gilding (New York: The Metropolitan Museum of Art, Wrightsman Fund, 2014).
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The Decorative Arts Trust is a non-profit organization that promotes and fosters the appreciation and study of the decorative arts through: exchanging information through domestic and international programming; collaborating and partnering with museums and preservation organizations; and underwriting internships, research grants, and scholarships for graduate students and young professionals. Learn more about the Trust at decorativeartstrust.org or by contacting thetrust@decorativeartstrust.org.
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