Enfilade

New Book | William Blake’s Printed Paintings

Posted in books by Editor on May 18, 2021

Distributed by Yale University Press:

Joseph Viscomi, William Blake’s Printed Paintings: Methods, Origins, Meanings (London: Paul Mellon Centre for Studies in British Art, 2021), 256 pages, ISBN: 978-1913107208, £40 / $50.

An in-depth examination of William Blake’s glorious and acclaimed series of twelve monoprints

Among William Blake’s (1757–1827) most widely recognized and highly regarded works as an artist are twelve color printed drawings, or monoprints, conceived and executed in 1795. This book investigates these masterworks, explaining Blake’s technique—one he essentially reinvented, unaware of 17th-century precursors—to show that these works were produced as paintings, and played a crucial role in Blake’s development as a painter. Using material and historical analyses, Joseph Viscomi argues that the monoprints were created as autonomous paintings rather than as illustrations for Blake’s books with an intended viewing order. Enlivened with bountiful illustrations, the text approaches the works within the context of their time, not divorced from ideas expressed in Blake’s writings but not illustrative of or determined by those writings.

Joseph Viscomi is James G. Kenan Distinguished Professor of English Literature at the University of North Carolina at Chapel Hill.

Call for Submissions | Metropolitan Museum Journal

Posted in Calls for Papers, journal articles by Editor on May 18, 2021

Metropolitan Museum Journal 57 (2022)
Submissions due by 15 September 2021

The Editorial Board of the peer-reviewed Metropolitan Museum Journal invites submissions of original research on works of art in the Museum’s collection. There are two sections: Articles and Research Notes. Articles contribute extensive and thoroughly argued scholarship. Research Notes typically present a concise, neatly bounded aspect of ongoing investigation, such as a new acquisition or attribution, or a specific, resonant finding from technical analysis. All texts must take works of art in the collection as the point of departure. Articles and Research Notes in the Journal appear both in print and online, and are accessible via MetPublications and the Journal‘s home page on the University of Chicago Press website.

The process of peer review is double-blind. Manuscripts are reviewed by the Journal Editorial Board, composed of members of the curatorial, conserva­tion, and scientific departments, as well as scholars from the broader academic community.

The Journal offers free image services to authors of accepted contributions.

Submission guidelines are available here.

Please send materials to journalsubmissions@metmuseum.org

Questions? Write to Iris.Moon@metmuseum.org or Elizabeth.Block@metmuseum.org