Enfilade

Very belated congratulations! I would expect the 2020 listing to be available in June or July. –CH

Each year, CAA publishes titles of dissertations in-progress and completed during the previous academic year by students at American and Canadian institution.

The index for 2019 lists four ‘eighteenth-century art’ dissertations completed:

• Katherine Calvin, “Antiquity and Empire: The Construction of History in Western European Representations of the Ottoman Empire, 1650–1830” (The University of North Carolina at Chapel Hill, M. Sheriff and C. Johns)

• Bart Pushaw, “The Global Invention of Art: Race and Visual Sovereignity in the Colonial Baltic, 1860–1915” (University of Maryland, College Park, S. Mansbach)

• Leslie E. Todd, “Reconciling Colonial Contradictions: The Multiple Roles of Sculpture in Eighteenth-Century Quito” (University of Florida, M. Stanfield-Mazzi)

• Hye-shim Yi, “Art, Materiality, and Intermediality: The Multimedia Writing Practice of Chen Hongshou (1768–1822)” (UCLA, H. Lee)

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and fifteen ‘eighteenth-century art’ dissertations in progress, including:

• Jacob Leveton, “William Blake’s Radical Ecology” (Northwestern University, S. Eisenman)

• Kelsey Martin, “Graveuses en taille-douce: French Women Engravers from the Ancien Regime to the Napoleonic Empire (1660–1815)” (University of North Carolina, Chapel Hill, M. Hyde)

• Saylor, Miranda, “Sor María de Ágreda and Sacred Art in Eighteenth-Century Mexico” (UCLA, C. Villaseñor-Black)

Each year, CAA publishes titles of dissertations in-progress and completed during the previous academic year by students at American and Canadian institution.

The index for 2018 lists six ‘eighteenth-century art’ dissertations completed:

• Alissa Adams, “French Depictions of Napoleon I’s Resurrection, 1821–1848” (The University of Iowa, D. Johnson)

• Kelsey Brosnan, ““Seductive Surfaces: The Still Life Paintings of Anne Vallayer-Coster (1744–1818)” (Rutgers University, S. Sidlauskas)

• Monica Hahn, “Go-Between Portraits and the Imperial Imagination, circa 1800” (Temple University, E. Pauwels)

• Laurel O. Peterson, “Making Spaces: Art and Politics in the Whig Country House, 1688–1745” (Yale University, T. Barringer)

• Mei Rado, “The Empire’s New Cloth: Western Textiles and Imperial Identity at the Eighteenth-Century Qing Court” (Bard Graduate Center, F. Louis)

• Sarah Sylvester Williams, “After Watteau: Nicolas Lancret and the Creation of the Hunt Luncheon” (University of Missouri, M. Yonan)

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and forty-five ‘eighteenth-century art’ dissertations in progress, including:

• Wenjie Su, “Machines of Time, Towers of Knowledge: Miniature Architectural Spaces and the Design of Timepieces in Sino-European Encounters, Seventeenth and Eighteenth Centuries” (Princeton, T. DaCosta Kaufmann)

• Emily K. Thames, “Enlightenment, Reform, and Identity in Late Eighteenth-Century Puerto Rico: The Art of José Campeche (1751–1809)” (Florida State University, P. Niell)

Each year, CAA publishes titles of dissertations in-progress and completed during the previous academic year by students at American and Canadian institution.

The index for 2017 lists nine ‘eighteenth-century art’ dissertations completed:

• Kasie Alt, “Culture of Illusion: Landscape Gardens, Fabricated Ruins, and the Diorama, ca. 1750–1850” (University of Texas at Austin, M. Charlesworth)

• Emily Casey, “Waterscapes: Representing the Sea in the American Imagination, 1750–1800” (University of Delaware, W. Bellion)

• Kathryn Desplanque, “Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750–1850” (Duke University, N. McWilliam)

• Lauren Kellogg DiSalvo, “Micromosaics: Souvenirs, Collective Memory, and the Reception of Antiquity on the Grand Tour” (University of Missouri, K. Slane and M. Yonan)

• Alexandra Helprin, “The Sheremetevs and the Argunovs: Art, Serfdom, and Enlightenment in Eighteenth-Century Russia” (Columbia University, A. Higonnet)

• Barbara M. Laux, “Claude III Audran, Modern Ornemaniste of the Rococo Style” (Graduate Center, CUNY, P. Mainardi)

• Tamar Mayer, “Consequences of Drawing: Self and History in Jacques-Louis David’s Preparatory Practices” (University of Chicago, R. Ubl, M. Ward)

• Kelly Presutti, “Terroir after the Terror: Landscape and Representation in Nineteenth-Century France” (MIT, K. Smentek)

• Michael Traver Ridlen, “Prud’hon’s Evolving Classicism” (The University of Iowa, D. Johnson)

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and thirty-one ‘eighteenth-century art’ dissertations in progress, including:

• Lilit Sadoyan, “Meuble and Mobility: Furniture in Long-Eighteenth-Century France” (University of California, Santa Barbara, E. B. Robertson and M. Meadow)

• Luciano Vanni, “The Renovation of the Habsburg-Lorraine Residences: Eighteenth-Century Imperial and Archducal Palaces in Prague, Brussels, and Florence” (Princeton, T. DaCosta Kaufmann)