2017 Dissertation Listings from CAA
Each year, CAA publishes titles of dissertations in-progress and completed during the previous academic year by students at American and Canadian institution.
The index for 2017 lists nine ‘eighteenth-century art’ dissertations completed:
• Kasie Alt, “Culture of Illusion: Landscape Gardens, Fabricated Ruins, and the Diorama, ca. 1750–1850” (University of Texas at Austin, M. Charlesworth)
• Emily Casey, “Waterscapes: Representing the Sea in the American Imagination, 1750–1800” (University of Delaware, W. Bellion)
• Kathryn Desplanque, “Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750–1850” (Duke University, N. McWilliam)
• Lauren Kellogg DiSalvo, “Micromosaics: Souvenirs, Collective Memory, and the Reception of Antiquity on the Grand Tour” (University of Missouri, K. Slane and M. Yonan)
• Alexandra Helprin, “The Sheremetevs and the Argunovs: Art, Serfdom, and Enlightenment in Eighteenth-Century Russia” (Columbia University, A. Higonnet)
• Barbara M. Laux, “Claude III Audran, Modern Ornemaniste of the Rococo Style” (Graduate Center, CUNY, P. Mainardi)
• Tamar Mayer, “Consequences of Drawing: Self and History in Jacques-Louis David’s Preparatory Practices” (University of Chicago, R. Ubl, M. Ward)
• Kelly Presutti, “Terroir after the Terror: Landscape and Representation in Nineteenth-Century France” (MIT, K. Smentek)
• Michael Traver Ridlen, “Prud’hon’s Evolving Classicism” (The University of Iowa, D. Johnson)
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and thirty-one ‘eighteenth-century art’ dissertations in progress, including:
• Lilit Sadoyan, “Meuble and Mobility: Furniture in Long-Eighteenth-Century France” (University of California, Santa Barbara, E. B. Robertson and M. Meadow)
• Luciano Vanni, “The Renovation of the Habsburg-Lorraine Residences: Eighteenth-Century Imperial and Archducal Palaces in Prague, Brussels, and Florence” (Princeton, T. DaCosta Kaufmann)
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