New Book | Architectural Type and Character
From Routledge:
Samir Younés and Carroll William Westfall, Architectural Type and Character: A Practical Guide to a History of Architecture (New York: Routledge, 2022), 272 pages, ISBN: 978-1138584037 (hardback), $128 / ISBN: 978-1138584051 (paperback), $36.
Architectural Type and Character provides an alternative perspective to the current role given to history in architecture, reunifying architectural history and architectural design to reform architectural discourse and practice. Historians provide important material for appreciating buildings and guiding those who produce them. In current histories, a building is the product of a time, its form follows its function, irresistible influences produce it, and style, preferably novel, is its most important attribute. This book argues for an alternative. Through a two-part structure, the book first develops the theoretical foundations for this alternative history of architecture. The second part then provides drawings and interpretations of over one hundred sites from different times and places.
Samir Younes is Professor of Architecture at the University of Notre Dame where he was Director of Rome Studies and Director of Graduate Studies. He teaches architectural design and theory. His books include: The Imperfect City: On Architectural Judgement; Architects and Mimetic Rivalry; The Intellectual Life of the Architect; and Quatremère de Quincy’s Historical Dictionary of Architecture: The True, The Fictive, and The Real.
Carroll William Westfall’s PhD in the history of architecture from Columbia University was followed by five decades of teaching before retiring from the University of Notre Dame. His scholarly and general articles run from studies of Pompeii to critiques of current practice. His books are In This Most Perfect Paradise, a study of Rome in the 15th century; Architectural Principles in the Age of Historicism, a dialectic exchange with Robert Jan van Pelt; and Architecture, Liberty, and Civic Order: Architectural Theories from Vitruvius to Jefferson and Beyond, a review of architectural theory.
C O N T E N T S
List of Illustrations
Preamble
Introduction
Part I
1 The History of Architecture We Have
2 The Alternative: Type, Character, and Style
3 Urbanism
4 The Components and Types of Good Urban Form
Part II
5 The Tholos
6 The Temple
7 The Theatre
8 The Regia
9 The Dwelling
10 The Shop
11 The Hypostyle
Call for Articles | Race and Architecture in the Iberian World
From ArtHist.net:
Race and Architecture in the Iberian World, ca. 1500–1800s
Special Issue of Arts (2023), guest edited by Cody Barteet and Luis Gordo Peláez
Proposals due by 15 December 2022; finished articles due by 1 June 2023
In the field of art history, previous scholarship has addressed (and continues to address) the contribution of Indigenous, Black, Asian, and mixed-raced artists to the early modern visual culture in the Atlantic world. Frequently scholars are interested in documenting race and its enduring legacy through a variety of cultural artifacts such as paintings, sculptures, manuscripts, featherworks, metalwork, etc. However, much less attention has been given to architectural history, and particularly that of the early modern Iberian world.
Recently, Irene Cheng, Charles L. Davis II, and Mabel O. Wilson edited a ground-breaking volume titled Race and Modern Architecture (2020). Their publication provides an important collection of essays that discuss how the discipline of architectural history has been shaped by racial thought. Likewise, the Journal of the Society of Architectural Historians dedicated a short roundtable-style conversation on the subject of race and architecture in the 1400s through the 1800s (Carey, Dudley, Escobar, et. al. 2021). Each short paper considers the role of race in architecture and implores other scholars to investigate this understudied topic. This special issue of Arts is a response to this scholarly call to engagement. Specifically, we will explore the intersection of race, labor, and architectural history and their interconnectivity with the architecture and its accompanying artistic forms in the early modern Iberian world. We do so through considering how race and architecture are activated through construction projects, the building trades, the history of labor, and in plans, pictorial, and print representations, etc., in the vast territories (European, American, African, Asian) that comprised the Spanish and Portuguese empires.
We invite contributors to submit their research in English for consideration. Please note that there is a two-stage submission procedure. We will first collect a title and short abstract (maximum 250 words), five keywords, and a short bio (150 words), by 15 December 2022, via email to Dr. Cody Barteet (cbarteet@uwo.ca) and Dr. Luis Gordo Peláez (luisgordopelaez@csufresno.edu) or Dora Wang from Arts Editorial Office (dora.wang@mdpi.com). Selected abstracts will be invited to submit papers of 7000–9000 words for peer review by 1 June 2023. Journal publication is expected to occur from late spring through fall 2023, depending on the revision time needed after peer review. Each article will be published open access, on a rolling basis after successfully passing peer review.
Guest Editors
Cody Barteet, cbarteet@uwo.ca
Luis Gordo Peláez, luisgordopelaez@csufresno.edu
Special Issue Editor
Dora Wang, dora.wang@mdpi.com
Enfilade 
leave a comment