New Website for Yale Center for British Art

Posted in exhibitions, resources by Editor on May 26, 2011

The new website for the Yale Center for British Art sets high the standard for digital art historical resources. The site features an online catalogue of the Center’s holdings, allowing seamless searching across the art collections and related library materials, AND publication-quality images of all art objects in the public domain are available for free downloading. As outlined in the press release below, more content will be added in the coming months. And what better way to draw attention to the new site, than an exhibition? -CH

Yale Center for British Art, New Haven, 20 May — 11 September 2011

Curated by Matthew Hargraves and and Imogen Hart

Elizabeth Pringle, "A Prowling Tiger," graphite, brushed black ink and white gouache, ca. 1800 (Yale Center for British Art)

To mark the launch of the YCBA’s online catalogue, Connections, a companion exhibition, replicates the experience of searching across the Center’s extraordinary collections. With more than two hundred paintings, sculptures, prints, drawings, rare books, and manuscripts from the early seventeenth to the early twentieth century, Connections presents familiar works as well as some surprises. Alongside popular collection highlights such as Rubens’s bravura oil sketch Peace Embracing Plenty will be rarely exhibited works, including outstanding prints and drawings by Thomas Gainsborough. The exhibition reveals the depth and breadth of material in the Center’s physical collections, which will now be accessible in a single searchable catalogue. Among the themes explored in the exhibition are: British Art in the 1630s; Hogarth and History; Sporting Art; the Academy and the Human Body; Egypt; British Modernism in the 1930s; Paul Sandby; George Stubbs; Thomas Gainsborough; and Samuel Palmer. The section devoted to George Stubbs (1724–1806) is representative of the exhibition in its span of different genres, as it showcases Stubbs’s extraordinary artistic range and some of the Center’s great treasures: paintings on canvas, copper, and earthenware; Wedgwood plaques and enamels; a selection of his technically innovative prints and drawings; anatomical studies; and books and manuscripts of midwifery and anatomy.

◊  ◊  ◊  ◊  ◊

Press release:

Yale Center Offers Unprecedented Access to Largest Collection of British Art Outside the UK through New Online Catalogue

William Gilpin, leaves 33v–34r (with color chart laid in) from "Hints to form the taste & regulate ye judgment in sketching Landscape," manuscript, in pen and ink, with watercolor, ca. 1790 (Yale Center for British Art, Paul Mellon Collection)

Beginning May 20, the Yale Center for British Art, which houses the largest and most comprehensive collection of British art outside of the United Kingdom, will share its extraordinary holdings with the world through a new online catalogue. For the first time, visitors to the museum’s redesigned and expanded website—britishart.yale.edu—will have the ability to search across the Center’s entire collection of paintings, sculpture, prints, drawings, rare books, manuscripts, and works in the Reference Library. In addition, they will be able to download high-resolution images of objects in the public domain, free of charge. This new policy should transform scholarship in the field of British art by allowing universal access to the Center’s unparalleled collection. The launch of the Center’s online catalogue dovetails with Yale University’s recently announced “Open Access” policy, which will make high-quality digital images of Yale’s vast cultural heritage collections in the public domain openly and freely available. (more…)

%d bloggers like this: