Enfilade

New Book | The Site of Rome, 1400–1750

Posted in books by Editor on May 21, 2014

From L’Erma di Bretschneider (and available from artbooks.com) . . .

David R. Marshall, ed., The Site of Rome: Studies in the Art and Topography of Rome 1400–1750 (Melbourne Art Journal 13) (Rome: L’Erma di Bretschneider, 2014), 264 pages, ISBN: 978-8891306661, €160 / $235 / Digital Version €128.

00012886This volume, number 13 in the Melbourne Art Journal series, brings together nine scholars who each explore an aspect of the art and architecture of Rome situated within the topography—or map—of Rome in the Renaissance and Early Modern periods, with several studies focusing on the eighteenth century. These are studies of sight and site: about how the appearance of different regions or aspects of the city intersect with complex systems of political, economic, social and artistic institutions and customs.

David R. Marshall is Principal Fellow, Art History, School of Culture and Communication, The University of Melbourne

A preview is available here»

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C O N T E N T S

1. Julie Rowe (La Trobe University), Rome’s Mediaeval Fish Market at S. Angelo in Pescheria
2. Joan Barclay Lloyd (La Trobe University), Memory, Myth and Meaning in the Via Appia from Piazza di Porta Capena to Porta S. Sebastiano
3. Louis Cellauro (Deutsches Studienzentrum, Venice), Roma Antiqva Restored: The Renaissance Archaeological Plan
4. Donato Esposito (Metropolitan Museum, New York), The Virtual Rome of Sir Joshua Reynolds
5. Lisa Beaven (University of Sydney), Claude Lorrain and La Crescenza: The Tiber Valley in the Seventeenth Century
6. David R. Marshall (University of Melbourne), The Campo Vaccino: Order and the Fragment from Palladio to Piranesi
7. Arno Witte (University of Amsterdam), Architecture and Bureaucracy: The Quirinal as an Expression of Papal Absolutism
8. Tommaso Manfredi (University ‘Mediterranea’, Reggio Calabria), Arcadia at Trinità dei Monti: The Urban Theatre of Maria Casimira and Alexander Sobieski in Rome
9. John Weretka (University of Melbourne), The ‘Non-aedicular Style’ and the Roman Church Façade of the Early Eighteenth Century

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