Enfilade

New Book | Rococo Echo

Posted in books by Editor on December 11, 2014

The latest volume of SVEC:

Melissa Lee Hyde and Katie Scott, eds., Rococo Echo: Art, History and Historiography from Cochin to Coppola (Oxford: Voltaire Foundation, 2014), 398 pages, ISBN: 978-0729411585, £65 / €82 / $102.

coverIntermittently in and out of fashion, the persistence of the Rococo from the eighteenth century to the twenty-first is clear. From painting, print and photography, to furniture, fashion and film, the Rococo’s diverse manifestations appear to defy temporal and geographic definition. In Rococo Echo, a team of international contributors adopts a wide lens to explore the relationship of the Rococo with time.

Through chapters organised around broad temporal moments—the French Revolution, the First World War and the turn of the twenty-first century—contributors show that the Rococo has been viewed variously as modern, late, ruined, revived, preserved and anticipated. Taking into account the temporality of the Rococo as form, some contributors consider its function as both a visual language and a cultural marker engaged in different ways with the politics of nationalism, gender and race. The Rococo is examined, too, as a mode of expression that encompassed and assimilated styles, and which functioned as a surprisingly effective means of resisting both authority—whether political, religious or artistic—and cultural norms of gender and class. Contributors also show how the Rococo, from its birth in France, reverberated through England, Germany, Italy, Portugal and the South American colonies to become a pan-European, even global movement. The Rococo emerges from these contributions as a discourse defined but not confined by its original historical moment, and whose adaptability to the styles and preoccupations of later periods gives it a value and significance that take it beyond the vagaries of fashion.

Melissa Lee Hyde is Professor of eighteenth- and nineteenth-century European art at the University of Florida, and her work focuses on gender and visual culture in France. She is writing a monograph on Marie-Suzanne Roslin and is co-authoring a book with Mary D. Sheriff on women in French art.
Katie Scott is a professor at the Courtauld Institute of Art. She has written widely about the Rococo in relation to issues of class, race and gender and is currently writing a book on the origins of intellectual property in France before the 1793 Act of the Rights of Genius.

◊  ◊  ◊  ◊  ◊

C O N T E N T S

Foreword. Rococo Echo: Style and Temporality, Katie Scott

I. Rococo Revivals: The Nineteenth Century
1. The Uncomfortable Frenchness of the German Rococo, Michael Yonan
2. Rococo Republicanism, Elizabeth Mansfield
3. Scavenging Rococo: Trouvailles, Bibelots and Counter-Revolution, Tom Stammers
4. Vive l’amateur! The Goncourt House Revisited, Andrew McClellan
5. Pierrot’s Periodicity: Watteau, Nadar and the Circulation of the Rococo, Marika T. Knowles
6. Remembrance of Things Past: Robert de Montesquiou, Emile Gallé and Rococo Revival during the Fin de Siècle, Meredith Martin
7. Irregular Rococo Impressionism, Anne Higonnet

II. Rococo: The Eighteenth Century
8. Was There Such a Thing as Rococo Painting in Eighteenth-Century France?, Colin B. Bailey
9. ‘A Wild Kind of Imagination’: Eclecticism and Excess in the English Rococo Designs of Thomas Johnson, Brigid von Preussen
10. Out of Time: Fragonard, with David, Satish Padiyar
11. Rococo and Spirituality from Paris to Rio de Janeiro, Gauvin Alexander Bailey

III. New Rococo: The Twentieth Century and Beyond
12. Sedlmayr’s Rococo, Kevin Chua
13. Warhol’s Rococo: Style and Subversion in the 1950s, Allison Unruh
14. The New Rococo: Sofia Coppola and Fashions in Contemporary Femininity, Rebecca Arnold
15. Post-Colonial Rococo: Yinka Shonibare MBE Plays Fragonard, Sarah Wilson
16. The Rococo Revival and the Old Art History, Carol Duncan
Afterword. The Rococo Dream of Happiness as ‘a Delicate Kind of Revolt’, Melissa Lee Hyde

List of illustrations
Summaries
Select bibliography
Index

Details for ordering a copy are available (as a PDF file) here»

Rebecca Arnold, The Courtauld Institute of Art
Colin B. Bailey, The Fine Arts Museums of San Francisco
Gauvin Alexander Bailey, Department of Art, Queen’s University, Ontario
Kevin Chua, School of Art, Texas Tech University
Carol Duncan, Ramapo College of New Jersey
Anne Higonnet, Department of Art History and Archaeology, Barnard College
Melissa Hyde, School of Art and Art History, University of Florida
Marika T. Knowles, Department of Art, Grinell College
Elizabeth Mansfield, National Humanities Center, North Carolina
Meredith Martin, Department of Art History, New York University
Andrew McClellan, Department of Art and Art History, Tufts University
Satish Padiyar, The Courtauld Institute of Art
Brigid von Preussen, Columbia University
Katie Scott, The Courtauld Institute of Art
Tom Stammers, Department of History, Durham University
Allison Unruh, Princeton University Art Museum
Sarah Wilson, The Courtauld Institute of Art
Michael Yonan, Department of Art History and Archaeology, University of Missouri

One Response

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  1. Editor said, on December 11, 2014 at 3:22 pm

    Incidentally, Michael Yonan provides an interesting posting as a tease for the book, “Rococo Rivalries: Germany v. France,” for the Voltaire Foundation Blog (4 December 2014). -CH


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