Enfilade

London Art Week 2015

Posted in Art Market by Editor on June 29, 2015

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Zoffany, The Sayer Family of Richmond, 1781. The painting sold at Sotheby’s on 27 October 2011 (Old Master and British Paintings, Lot 138) for £43,250 as ‘circle of Zoffany’. It’s now offered by Colnaghi as an autograph work. As noted in the current entry: “Extensive research by [David] Wilson has made it possible to reconstruct the circumstances of the painting’s original commission, supply additional (previously unrecorded) information about its provenance, and establish the work as an autograph painting by Zoffany. That autograph status is accepted by all the major Zoffany scholars.”

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From London Art Week:

London Art Week 2015
Mayfair and St. James’s, 3–10 July 2015

London Art Week (3 to 10 July 2015) is the most important gallery-based celebration of traditional art, highlighting the unrivalled quality, riches and expertise available within the galleries of Mayfair and St. James’s. Bringing together over 40 leading art galleries and three auction houses, the event includes a series of dedicated exhibitions and will present a wealth of paintings, drawings, sculpture, and works of art from antiquity to the 20th century, many of which have been hidden from public view for decades.

Johnny van Haeften and Lowell Libson, Senior Committee members of London Art Week: “London Art Week is a key moment of the year which celebrates the resounding importance of the art gallery. It also highlights the position of Mayfair and St. James’s as the global centre of the traditional art market, and the leading destination for expertise. We look forward to welcoming collectors, curators and enthusiasts to this year’s event which will offer the strongest and most diverse selection of art to date.”

A myriad of exciting rediscoveries will be unveiled at London Art Week 2015. Highlights include The Sayer Family of Richmond, 1781, by Johan Zoffany, R.A. (1733–1810), one of the most important rediscoveries in the field of classical British art for decades (Colnaghi); a marble sculpture of Lucretia by Philippe Bertrand (1663–1724), artist at the Court of Louis XIV, which has been unseen since it was exhibited at the Salon de Louvre in 1704 (Galerie Sismann); the only known drawing by Cesare Magni (1511–1534), pupil of Leonardo da Vinci, to be firmly attributed to the artist (Martin Hirschboeck); and Madonna and Child by Simon Vouet (1590–1649), otherwise known as The Madonna Molé, whose existence was known by scholars through an engraving, but whose whereabouts were unknown until now (Maurizio Nobile).

Exhibitions presented for London Art Week 2015 include Portraiture through the Ages (Agnew’s), French Drawings from the 17th to 19th Century (Katrin Bellinger at Colnaghi), Reclaiming Antiquity: Creation and Revival between the Fall of Rome and the Renaissance (Sam Fogg), Fragments: From the Tiber to the Ganges (Oliver Forge and Brendan Lynch), Paintings from Georgian Britain: A Golden Age (Richard Green Fine Paintings), On Copper (Johnny van Haeften Ltd.), Ignacio Pinazo (1849–1916): A Valencian Master of Light (Galería José de la Mano), From the Salon (Daniel Katz Gallery), The Painter’s Menagerie and The Sculptor’s Menagerie (Rafael Valls Ltd. and Tomasso Brothers Fine Art), Shapely Forms: Vessels in Antiquity (Rupert Wace Ancient Art), and From Merchants to Monarchs: Frans Pourbus the Younger (The Weiss Gallery). Further details of highlights and exhibitions are available here . Full details of the event, including a map, are available at www.londonartweek.co.uk, via the app, and in the catalogue, which includes a forward by Dr. Nicholas Penny, Director of the National Gallery.

The Crown Estate is delighted to sponsor London Art Week in 2015. The participants are all situated a short walk from one another in the heart of London’s Mayfair and St James’s. The Crown Estate owns approximately 50% of St James’s and is implementing a £500m investment programme to sensitively refine and enhance the area, which forms part of its core holdings in London’s West End. James Cooksey, Head of the St James’s Portfolio, said: “The Crown Estate is delighted to support this important event in London’s art calendar which unites the art galleries of Mayfair and St. James’s, and helps to promote the extraordinary range of knowledge, expertise and heritage on offer in the art market’s historic home.”

London Art Week was launched in 2013 as a platform that united Master Drawings & Sculpture Week (est. 2001) and Master Paintings Week (est. 2009).

Images of selected works are available here»