Display | Jacques-Louis David’s ‘Napoleon’

Posted in exhibitions, lectures (to attend) by Editor on July 10, 2016

Now on view at AIC:

Jacques-Louis David’s Napoleon
Art Institute of Chicago, 28 May — 9 October 2016


Jacques-Louis David, The Emperor Napoleon in His Study at the Tuileries, 1812 (Washington, D.C.: National Gallery of Art)

The dominant French painter of the late 18th and early 19th century, Jacques-Louis David responded with brilliant artistry to the extraordinary events unfolding during the French Revolution and its aftermath. With his painting The Emperor Napoleon in His Study at the Tuileries, David created the quintessential image of the legendary leader as a figure of deliberation and action. At the time, Napoleon’s empire was at its height—he had not yet led his army on the disastrous invasion of Russia—and David himself had referred to Napoleon as “the man of the century.” For his painting of this exalted figure, David drew on the tradition of the state portrait, a full-length standing representation that had served as the public image of a ruler since the Renaissance, but he brought new life to the conventional type by placing Napoleon in the foreground and framing him with details that tell a story. David described that story in this way: “Having passed the night composing his Napoleonic code, [the emperor] only realizes that it is dawn from the guttering candles that are about to go out. The clock has just struck four in the morning. With that, he rises from his desk to strap on his sword and review his troops.”

The loan of this great painting from the National Gallery of Art, Washington, D.C., provides occasion to highlight related paintings, works on paper, and sculpture in the Art Institute’s own collection. Featured objects include a rarely exhibited sketchbook of studies for another renowned Napoleonic painting by David, The Distribution of the Eagle Standards, which records the ceremonial oath-taking of the generals and officers of the imperial army following Napoleon’s coronation in 1804. This original sketchbook is displayed near an interactive digital reconstruction that allows visitors to turn the book’s pages.

In addition to the NGA loan, the display includes Marie Denise Villers’s 1801 portrait of Charlotte du Val d’Ognes, on loan from The Met (though I’ve been unable to find any mention of it online). The digitized sketchbook is remarkable, but I’m not sure why it’s not also available through the AIC website. CH

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Lecture | Napoleon, and the Legacy of the Storming of the Bastille
Fullerton Hall, Art Institute of Chicago, 14 July 2016, 2:00pm

In honor of Bastille Day, this lecture interweaves a discussion of Jacques-Louis David’s Napoleon with the history of the Bastille as event, monument, and symbol. Registration required—register today!





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