Enfilade

Display | Drawn to Sicily: Early British Exploration

Posted in exhibitions by InternRW on July 12, 2016

Sicily

Charles Gore, View of the Temple of Concord at Agrigento, 1777, watercolour over graphite, with some pen and ink
(London: The British Museum)

◊  ◊  ◊  ◊  ◊

Closing this week at The British Museum:

Drawn to Sicily: Early British Exploration of the Classical World
The British Museum, London, Late April — 14 July 2016

In the 18th century, Sicily was a Grand Tour destination only for the intrepid few, an optional extension to the more conventional tour that focused on Rome, Florence, Venice, and Naples. Travel on the rural, rugged island was challenging and many parts were inaccessible. Furthermore, the countryside could be dangerous, as groups of bandits preyed on travelers. Yet those with a specific interest in ancient art and architecture went to admire and study first-hand the remains of the majestic Greek temples.

The presence of European diplomats at the court of the Kingdom of the Two Sicilies in Naples made access to, and travel in, Sicily somewhat easier. Diplomats could provide travel passes—such as one which was issued to Charles Townley (1737–1805) and displayed in this show—as well as letters of introduction to the cultured élite in the main cities: Palermo, Catania, and Syracuse. A travel pass could ensure lodging when presented, as English visitors were well-respected. This display illustrates four expeditions undertaken by some of Britain’s best-known Grand Tourists and renowned architects.

Save

Save

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s