Enfilade

Exhibition | Everyday English: The Hooker Ceramics Collection

Posted in books, catalogues, exhibitions by InternCS on July 25, 2016

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Bristol, Double-Ogee Cup and Saucer, ca. 1775; Hard-paste porcelain (Collection of the Dixon Gallery and Gardens, Gift of Mrs. Charlotte Stout Hooker, 2008.DA.2.31.2a, b)

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From Dixon Gallery and Gardens:

Everyday English: The Charlotte Stout Hooker Gift of English and Continental Ceramics
Dixon Gallery and Gardens, Memphis, 31 July — 9 October 2016 

Everyday English considers the marketing and consumption of eighteenth- and nineteenth-century English porcelain through the Dixon’s Charlotte Stout Hooker Gift of English and Continental Ceramics. Everyday English also highlights Mrs. Hooker’s accomplishments as a collector, exhibiting both her popular useful wares and rare ornamental finds.

From Laura Gray McCann’s posting for Dixon’s blog (8 January 2016) . . .

In 2008, the Dixon received 384 pieces of eighteenth- and nineteenth-century English porcelain and pottery, and Asian and Continental ceramics from the collection of Mrs. Charlotte Stout Hooker. Mrs. Hooker’s collection was a natural fit for the Dixon—the nascence of her English porcelain came from her mother, Warda Stevens Stout, whose collection of eighteenth-century German porcelain came to the Dixon in 1985. Mrs. Hooker continued to collect, adding a more popular dimension to her collection. In 2003, Art & Antiques Magazine named her one of the top 100 collectors in the country.

Now, it is time to put the spotlight on the Hooker Collection! As we did with the Stout Collection, we are publishing a catalogue of the Hooker collection, The Charlotte Stout Hooker Gift of English and Continental Ceramics. The catalogue celebrates Mrs. Hooker’s achievements as a collector and provides the public with a record of the works in collection. The release of the catalogue will coincide with an exhibition of the Hooker Collection, Everyday English: The Charlotte Stout Hooker Gift of English and Continental Ceramics this summer. . .

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