Exhibition | Royal and Imperial Clocks

Posted in exhibitions by Editor on March 18, 2018

From the press release, via Art Daily, for the exhibition:

Royal and Imperial Clocks: Romantic and Scientific
The David Roche Collection, Adelaide, 27 February — 19 August 2018

Curated by Martyn Cook

Louis XVI Portico Mantel Clock, ca. 1787–93 (Adelaide: The David Roche Collection).

The David Roche Collection will stage a new exhibition of 34 exquisite French and English clocks, dating from the late 17th century to the early 20th century. Imperial & Royal Clocks: Romantic & Scientific is the first time these rare and opulent clocks have been on public display together.

David Roche (1930–2013)—who left his entire collection of more than 3,500 decorative arts to the people of Adelaide—had, during his long life, been immersed in the intricacies of clocks for their decorative appeal. No matter the horological significance of the movement within the clocks, Roche was only interested in the clock’s decorative façade. He was obsessed with time though struggled to be on time said Martyn Cook, Museum Director of The David Roche Collection and curator of the exhibition.

Roche focused his collection on the French Empire and the Regency period in England. When he acquired an item for his collection, he had in mind exactly where it should be placed in his home—it was no different with his clocks. Roche called Fermoy House—the house in which he spent most of his life—Australia’s ‘Bermuda Triangle’ for clocks because very few worked for more than two weeks, largely through movement in the ground, which made it unstable for the clocks. Though it annoyed him intensely, he learned to live with it, said Cook.

With loans of seven rare clocks from private collections, the exhibition showcases some of the world’s most opulent clocks. Included are the rare Automata Smoking African Clock from The Johnston Collection; a Henry Hindley Table clock c.1760–65, made for the 8th Duke of Norfolk; and a very rare John Shelton Floor-standing Regulator c.1760. Shelton made this type of astronomical clock for the Royal Society of London, and Captain James Cook used Shelton’s regulators to observe the 1769 transit of Venus in Tahiti.

Provenance was always of interest to Roche. He acquired a Laurent Ridel Trophies of War mantel clock c.1780, from the sale of Mrs. Robert Lehman in 2010, following the collapse of the Lehman Bank. His Robert Adam style Long case clock c.1780, belonged to Mildred Hilson, a New York grande dame, while his Balthazar Martinot Boulle mantle clock c.1690, came from Kym Bonython, Adelaide identity and motor racing driver. Although Roche loved all his clocks, two favourites were the jewel-like Joseph Coteau Mantel clock 1796 and the Louis Moinet Prince of Hanover urn clock c.1810, from the Hanover estate at Schloss Marienburg, in Germany. The exhibition is accompanied by a fully illustrated catalogue.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s