Enfilade

The Burlington Magazine, January 2019

Posted in books, catalogues, exhibitions, journal articles, reviews by Editor on January 25, 2019

The eighteenth century in The Burlington: (with the issue focused on Westminster Abbey) . . .

The Burlington Magazine 161 (January 2019)

A R T I C L E S

• Susan Jenkins, “‘Sunbeams and Shadows’: Exhibiting the Collection at Westminster Abbey,” pp. 4–8. The Queen’s Diamond Jubilee Galleries, opened last year, display works of art and historic artefacts from the collections at Westminster Abbey, London. To introduce this special issue of the Magazine, the Abbey’s Curator, outlines the history of the building’s museum displays and explains the thinking behind the new galleries.
• Gordon Higgott, “Sir Christopher Wren’s Failed Project for a Crossing Tower and Spire at Westminster Abbey, 1713–25,” pp. 44–57. In 1713, with funds available for ‘finishing’ Westminster Abbey, the Surveyor to the Fabric, Sir Christopher Wren, began to plan the addition of a lofty crossing tower and spire. After Wren’s death in 1723 the proposal was shelved by his successor, Nicholas Hawksmoor, who recognised that it presented an insoluble structural problem.

R E V I E W S

• Lynn Jones, Review of the exhibition Armenia! (The Metropolitan Museum of Art, 2018–19), pp. 60–63.
• Eric Zafran, Review of the exhibition The Orléans Collection (New Orleans Museum of Art, 2018–19), pp. 67–69.
• Reinier Baarsen, Review of the exhibition Luigi Valadier: Splendor in Eighteenth-Century Rome (The Frick Collection, 2018–19), pp. 70–71.
• Michael Hall, Review of Karl-Georg Pfändtner, ed., ‘Gold und Bücher lieb ich sehr…’: 480 Jahre Staats- und Stadtbibliothek Augsburg (Quaternio Verlag, 2017), pp. 85–87.
• Roger White, Review of Rosemary Yallop, Cottages Ornés: The Charms of the Simple Life (Yale University Press, 2017), pp. 89–90.
• Gauvin Alexander Bailey, Review of Vittorio Magnago Lampugnani, Die Stadt von der Neuzeit bis zum 19. Jahrhundert: Urbane Entwürfe in Europa und Nordamerika (Verlag Klaus Wagenbach, 2017), pp. 92–93.

 

 

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