Enfilade

Exhibition | Lines from Life: French Drawings

Posted in exhibitions by Editor on November 24, 2020

From The Clark—and please note next Thursday’s conversation with Ewa Lajer-Burcharth and Anne Leonard, the details of which are included below:

Lines from Life: French Drawings from the Diamond Collection
The Clark Art Institute, Williamstown, Massachusetts, 12 July — 13 December 2020

Curated by Kristie Couser

Nineteenth-century French figure drawings embody a conceptual tension between academic methods of drawing the human form and freer approaches that challenged those conventions. The curriculum of the state-sponsored École des Beaux-Arts (School of Fine Arts) in Paris and the esteemed Académie de France (French Academy) in Rome long considered drawings of the nude, studied and sketched live in the classroom, to be the ultimate measure of an artist’s skill. Modeled after ancient Greek and Roman sculpture and Renaissance examples, the predominantly white and male figure centered in works exploring historical, mythological, and religious themes was a physique that was not reflective of the diversity of human bodies. By midcentury many French artists—including those who originally trained in academic studios—signaled their creative independence with portraits and genre scenes representing ordinary and working people in natural poses. This exhibition traces transformations in figure drawing during a period in which these developing interests in Realism and contemporary life diverged from the idealism championed by public institutions.

François Louis Joseph Watteau (1758–1823), Sheet of Studies for ‘The Battle of Alexander’, ca. 1795; black chalk on off-white paper (The Clark Art Institute, Gift of Herbert and Carol Diamond, 2018.11.13).

The works on view span the nineteenth century and reveal the varied uses of figure drawing. Detailed studies addressing a model’s features and form commingle with swiftly drawn sketches that explore gesture and movement. Sheets bearing grid lines and handwritten annotations demonstrate the relationships between drawing and other media, including painting and printmaking. Many of these works illuminate the versatility of graphite, the primary instructional medium before the middle of the century. Compositions by artists associated with Realism, Impressionism, and other late nineteenth-century art currents evoke how the infusion of diverse media—chalk, charcoal, Conté crayon, and color pastel—often bolstered experimentation as artists increasingly depicted the people around them.

In celebration of the generous, ongoing gift of Herbert and Carol Diamond, this exhibition highlights works from the couple’s remarkable collection of more than 160 French drawings and sculptures, which they have assembled since 1964. The Diamonds’ particular fascination with the preparatory role of drawing broadens the Clark’s presentation of nineteenth-century French art—the cornerstone of the museum’s founding gift—and introduces works by artists not previously represented in the collection. Select figure studies from the Clark’s collection, which has continued to expand, join this display in the spirit of inviting a new look.

Lines from Life: French Drawings from the Diamond Collection is organized by the Clark Art Institute and curated by Kristie Couser, curatorial assistant for works on paper.

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Clark Connects with Ewa Lajer-Burcharth
(Online) Thursday, 6:00–7:00pm, 3 December 2020

Join Ewa Lajer-Burcharth for a conversation on nineteenth-century drawing and the role of the body image. Professor Lajer-Burcharth, whose research spans from eighteenth and nineteenth-century European art to contemporary art, as well as feminist and critical theory, will be in dialogue with Manton Curator of Prints, Drawings, and Photographs Anne Leonard.

Registration (required to receive Zoom log-in details) is available here.

Ewa Lajer-Burcharth is William Dorr Boardman Professor of Fine Arts in the Department of History of Art & Architecture at Harvard University. She specializes in eighteenth- and nineteenth-century French art and has written extensively on contemporary art.

 

 

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