The Burlington Magazine, November 2022

Posted in books, catalogues, exhibitions, journal articles, reviews by Editor on December 3, 2022

The eighteenth century in the November issue of The Burlington . . .

The Burlington Magazine 164 (November 2022) — Sculpture

Massimiliano Soldani Benzi, Lamentation over the Dead Christ, 1690–92(?), gilded bronze, 57 × 40 cm (Córdoba Cathedral).


• The Parthenon Sculptures, p. 1063.


• Fernando Loffredo, “Soldani’s Lamentation in Córdoba,” pp. 1118–22.


• Colin Bailey, Review of the exhibition catalogue, Renoir: Rococo Revival (Städel Museum, Frankfurt am Main, 2022), pp. 1150–53.

• Joseph Connors, Review of Livio Pestilli, Bernini and His World: Sculpture and Sculptors in Early Modern Rome (Lund Humphries, 2022), pp. 1160–62. [Pestilli “mines the correspondence of the directors of the Académie de France and sorts through student drawings in the Accademia de San Luca to find that well into the eighteenth century Bernini was copied more than any other artist” (1162).]

• Jamie Mulherron, Review of Alexandre Maral and Valérie Carpentier-Vanhaberbeke, Antoine Coysevox (1640–1720): Le sculpteur du Grand Siècle (Arthena, 2020), pp. 1165–66.

• Hugo Chapman, Review of Carel van Tuyll van Serooskerken, The Italian Drawings of the Seventeenth and Eighteenth Centuries in the Teyler Museum (Primavera Pers, 2021), pp. 1166–67.

• Christopher Martin Vogtherr, Review of Sarah Salomon, Die Kunst der Außenseiter: Ausstellungen und Künstlerkarrieren im absolutistischen Paris jenseits der Akademie (Wallstein Verlag, 2021), pp. 1167–68. [Salomon’s book focuses on four institutions: the Académie de Saint-Luc, the Colisée, the Salon de la Correspondence, and the Exposition de la Jeunesse.]

• Stephen Lloyd, Review of Magnus Olausson, Miniature Painting in the Nationalmuseum: A World-Class Collection (Nationalmuseum Stockholm, 2021), pp. 1168–70.


• Michael Hall, Obituary for Mark Girouard (1931–2022), pp. 1171–72.

Call for Papers | Bodily Autonomies, Autonomous Bodies

Posted in Calls for Papers by Editor on December 3, 2022

From the Call for Papers, from IU Bloomington’s Center for Eighteenth-Century Studies:

Bodily Autonomies, Autonomous Bodies
Indiana Center for Eighteenth-Century Studies, Bloomington, 18–20 May 2023

Proposals due by 20 January 2023; accepted papers due mid-April 2023

The Indiana Center for Eighteenth-Century Studies announces its twenty-first annual Bloomington Workshop: Bodily Autonomies, Autonomous Bodies. The idea of ‘autonomy’ arises in the early modern period in relation to political entities, rather than individuals. A borrowing from the Greek (αὐτο + νόμος) meaning self law, autonomy referred to ability of an institution or a state to govern itself. In the eighteenth century, that scope began to apply increasingly to the capacities of individuals. Indeed, one strong tradition in eighteenth-century studies identifies our period with the invention of the author and the origins of the modern, autonomous individual. Looking back to the early modern, eighteenth-century conceptions of autonomy draw from the foundations that would lead to the birth of the nation state, and from contrasting models of internal and external virtue. From out of the eighteenth-century, the application of the term will spread from Montesquieu’s political philosophy, to Kant’s moral philosophy, and extend across the natural and social sciences. And yet the questions of autonomy—of self governance of a human or a political body—do not move in straight lines or toward easy answers.

Self-governance is often a sweet lie that hides the abuse of power, from the personal level to the geopolitical. Foucault has taught us that the individual operates within a network of power systems—religious, gendered, political, racial, geographic, and colonial, among others—that can influence, abridge, inhibit, or reinforce their ability to exercise agency or will over their life and body. More recently, methodological approaches such as New Materialisms, object-oriented ontologies, and alternative ontological frameworks such as those drawn from Black and indigenous studies often serve to unsettle the concept of autonomy, probing the spaces between the ephemeral capacity to self-govern, the material acts of self-determination, and the very notion of a ‘self’ who can be governed and determined at all. Therefore, with this Workshop theme, we hope to explore the limits of self-governance within the network of power structures that make up the world, to recognize the ways that autonomies exist against the grain of social discourse, and to acknowledge long-running ramifications—both positive and negative—of the aspirational quality of this ideal. At the same time, we look to question whether this idealization has contributed to dogmas of personal responsibility and economic self-interest at the expense of collective forms of action and care.

Within the sphere of the eighteenth century, we invite papers about autonomy as it applies to individuals across the spectrums of power and privilege; of groups whose identity or enforced social status inhibits or countermands their capacity to exercise agency; of national or political entities whose formation, liberation, and sovereignty are impacted by colonial pressures, and work that questions and probes autonomy’s drawbacks and boundaries as they figure in eighteenth-century histories, archives, and texts.

We look forward to reading your abstracts and ideas. A non-exhaustive list of topics they might address would include:

• negotiating questions of self and autonomy for enslaved persons
• the autonomy of gendered bodies
• autonomy within or of a colonized state
• freedom of movement: border-crossings, gatherings, quarantines, departures
• approaches that complicate or question ideas of personal or political sovereignty
• scientism and visions of the body as machine
• the individual figured against a backdrop of control or systems of power
• disenfranchisement: debt, citizenship, exile, etc.

In last year’s Workshop, which focused on Collaborations, questions arose about the limits of what can be considered labor performed together (col + labōrāre) in the context of radically inequal power relationships or within systems of sanctioned oppression. This year we hope to continue these conversations, which hold the echoes of the Center’s first workshop, Signs of the Self, and resound into a present where the concept of the autonomous individual is being questioned for political gain.

During the Workshop, we will discuss pre-circulated texts (due in mid-April) and perhaps have an occasional lecture or library, museum, or archive visit. Given the theme, we are especially open to co- and multi-authored contributions, including those that work across hitherto conventional boundaries of genre, discipline, and media. We intend and hope that the workshop will largely take place in person (and that participants will be present for the entire event), but anticipate making provision for some online participation as well.

The application deadline is Friday, 20 January 2023. Please send a paper proposal (1–2 pages) and current brief CV (3 pages, max) to Dr. Barbara Truesdell, Administrator, Center for Eighteenth-Century Studies. Please email to voltaire@indiana.edu. We will acknowledge all submissions within a fortnight: if you do not receive an acknowledgment by 31 January 2022, please email voltaire@indiana.edu or the Center’s Director, Jesse Molesworth (jmoleswo@indiana.edu).

Papers will be selected by an interdisciplinary committee. We cover most expenses for visiting scholars chosen to present their work: accommodations, travel (up to a certain limit), and most meals. Expanded abstracts and/or entire papers may be published in the Center’s The Workshop, along with discussion transcripts or summaries.

New Book | The Moving Statues of Seventeenth-Century Amsterdam

Posted in books by Editor on December 3, 2022

From Penn State UP:

Angela Vanhaelen, The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (University Park: Penn State University Press, 2022), 236 pages, ISBN: 978-0271091402 (hardcover), $115. Also available as an ebook, with a paperback edition scheduled for release in March 2023.

This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven.

Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.

Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century.

Angela Vanhaelen is Professor of Art History at McGill University. She is the author of the award-winning book The Wake of Iconoclasm: Painting the Church in the Dutch Republic, also published by Penn State University Press.


List of Illustrations

1  The Closed Door: Walking In

Ritual Routes
2  The Courtyard Fountain: Bacchic Rites
3  Into the Labyrinth: Containing the Human Monster

The Moving Statue Strikes
4  Automata: Activating Human Behavior
5  Strange Things for Strangers: Transcultural Automata

Protestant Paganism
6  Wax Portraits: Body Politics
7  Time Machines in the Golden Age: The Kairos of Clockwork

Epilogue: Obsolescence




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