Enfilade

Press release (27 February 2014) from Boston’s MFA:

Today, Malcolm Rogers, Ann and Graham Gund Director of the Museum of Fine Arts, Boston (MFA), announced to the MFA’s Board of Trustees his future plans to retire. Throughout his nearly 20 years at the Museum, Rogers—who in May becomes the longest-serving Director in the MFA’s 144-year history—established a legacy of “opening doors” to communities from Boston and around the world. The Board will establish a committee to oversee a global search for the Museum’s next director, with Rogers remaining at the helm until a successor is identified and appointed…

Keep reading here»

Press release (27 February 2014) from Boston’s MFA:

Frederick Ilchman has been appointed Chair, Art of Europe at the Museum of Fine Arts, Boston (MFA). Ilchman will continue to serve as the Mrs. Russell W. Baker Curator of Paintings, a position he has held since 2009. Ilchman joined the MFA in 2001 as Assistant Curator of Paintings. A specialist in the art of the Italian Renaissance, he has curated numerous exhibitions, organized international conferences, contributed to scholarly publications and lectured and taught in the United States and abroad. Ilchman’s acclaimed exhibition, Titian, Tintoretto, Veronese: Rivals in Renaissance Venice (2009), organized with the Musée du Louvre, was the first major exhibition dedicated to the competition among these three renowned artists and the emergence of their signature styles. The exhibition won several awards including “Outstanding Exhibition (Eastern Time Zone)” from the Association of Art Museum Curators and was selected as one of the year’s top 10 exhibitions by the Wall Street Journal. In October 2014, an exhibition he is co-curating, Goya: Order and Disorder, will open in the MFA’s Ann and Graham Gund Gallery. In 2003, he served as the Boston curator for the traveling exhibition Thomas Gainsborough, 1727—1788, a major retrospective organized by Tate Britain, and was part of the curatorial team for the exhibition Tintoretto (2007) at the Museo Nacional del Prado in Madrid. Recently, Ilchman curated Visiting Masterpiece: Piero della Francesca’s Senigallia Madonna: An Italian Treasure, Stolen and Recovered (2013), and co-curated the exhibition Paolo Veronese: A Master and his Workshop in Renaissance Venice (2012) at the Ringling Museum in Sarasota.

Press release (27 February 2014) from Boston’s MFA:

Benjamin Weiss has been named Chair, Prints, Drawings and Photographs at the Museum of Fine Arts, Boston (MFA). Weiss will continue to serve in his current position, Leonard A. Lauder Curator of Visual Culture, which he has held since 2011. In that role, he co-curated The Postcard Age: Selections from the Leonard A. Lauder Collection (2012) and most recently organized Audubon’s Birds, Audubon’s Words (2013); he is currently preparing further exhibitions and publications drawn from the Leonard A. Lauder Postcard Archive, including an exhibition devoted to “real photo” postcards of the early 20th century. In addition to the Lauder Archive, Weiss has had responsibility for the MFA’s other collections of posters, postcards, illustrated books, graphic design and ephemera of all sorts.

Prior to taking his current position in Prints, Drawings and Photographs, Weiss spent seven years in the MFA’s Education Department as Head of Interpretation (2009–2012) and Manager of Adult Learning Resources (2005–2009). He was integral to the opening of the Art of the Americas Wing in 2010, when he was responsible for interpretation for 5,000 objects on view. He also oversaw the written and educational materials for all special exhibitions and installations of the collection, including brochures, multimedia tours and in-gallery wall texts and labels.

Weiss holds a Master of Arts in History from Princeton University (1991) and a Bachelor of Arts from Harvard College (1989). Before coming to the MFA, he worked at the Burndy Library, of the Dibner Institute for the History of Science and Technology at MIT for seven years, where he was Curator of Rare Books and Head of Exhibitions and Publications. While at Burndy, he curated more than a dozen exhibitions, on subjects as varied as color theory, 19th-century American bridge engineering and the history of obelisks. That last exhibition resulted in the collaborative monograph Obelisk: A History, co-written with Anthony Grafton, Pamela O. Long and Brian Curran, and published by MIT Press. A Renaissance historian by training, with a specialty in the history of cartography, Weiss maintains an interest in the history of maps, and specifically in the history of ancient geographical texts in the 15th and 16th centuries.