Enfilade

From Brill’s latest Art and Architecture Catalog:

Brill’s Studies in the History of Collecting & Art Markets is a peer-reviewed book series dedicated to original scholarship on the social, cultural, and economic mechanisms underlying the circulation of art. Over the last two decades interest in the formation, display, and dissolution of art collections increased tremendously; art markets, trade routes, and dealer networks became a rich field of interdisciplinary inquiry. Scholarship brought forth a lot of information about the flamboyant personalities to whom the possession of art was a lifestyle; regarding the ‘social life of things’, i.e. the provenance of individual artworks, many research gaps could be closed.

This shift in scholarly attention from the production side to the consumption side of the art world is also reflected in the emergence of specialized post-graduate courses offered by a number of institutions internationally, as well as an ever-increasing stream of exhibitions, conferences, and publications devoted to the subject. Brill’s book series accommodates scholarly monographs, collections of essays, conference proceedings, and works of reference that engage in the broadly defined topic of art markets and collecting practices throughout history.

We invite scholars to submit their English language manuscript proposal for the new book series to Liesbeth Hugenholtz, Acquisitions Editor Art at Brill (hugenholtz@brill.com) or to the series editor Christian Huemer
(chuemer@getty.edu).

Editor-in-Chief
Christian Huemer, Getty Research Institute, Los Angeles

Editorial Board
Malcolm Baker (University of California, Riverside),
Ursula Frohne (University of Cologne), Hans van Miegroet (Duke
University, Durham), Inge Reist (Frick Collection, New York), Adriana
Turpin (Institut d’Études Supérieures des Arts, London), Filip Vermeylen
(Erasmus University, Rotterdam)