Royal Museums Greenwich Rebrands

Posted in museums by Editor on May 1, 2017

As Sarah Dawood writes for Design Week (18 April 2017) . . .

The Royal Museums Greenwich has new branding which aims to better represent all of its London museums, rather than focusing on those dedicated to the sea. The parent group encompasses sea and space exploration attractions, including the National Maritime Museum, historical ship the Cutty Sark, and planetarium the Royal Observatory, alongside 400-year-old art gallery the Queen’s House.

The previous brand was introduced in 2011.

The branding has been created by consultancies Jane Wentworth Associates (JWA) and Intro, with the first leading on strategy and the second on design. . . .

The new visual identity will be used by the museum parent group’s four attractions, with each one adopting the redesigned logo and replacing ‘Royal Museums Greenwich’ with its name. It features a sans-serif, all-caps logotype set in Talbot Type Karben typeface alongside a two-dimensional, line-drawn ‘G’ symbol, which aims to depict Greenwich and also symbolise different icons associated with the museums, says JWA.

The full article is available here»

Additional coverage by Patrick Burgoyne for Creative Review is available here»

Information on the previous brand is available here»


Conference | Imitation and Geographies of Art after Winckelmann

Posted in conferences (to attend) by Editor on May 1, 2017

From H-ArtHist:

Under the Greek Sky: Imitation and Geographies of Art after Winckelmann
King’s College London, The Warburg Institute, The British Museum, London, 15–16 June 2017

2017 marks the 300th anniversary of the birth of the German classicist and art historian Johann Joachim Winckelmann, commonly regarded as the founding father of both archaeology and art history. Winckelmann’s writings heralded a revolution in approaches to the history of ancient art and culture, as well as contributing to the spread of neoclassical taste throughout Enlightenment Europe. This conference will re-evaluate Winckelmann’s legacy and his influence on art theory since the eighteenth century. The concept of imitation, central to Winckelmann’s theories and writings, proves to be a linchpin for modern ideas about the diffusion, appropriation, and musealization of art.

The first day of the conference will focus on the ‘culture’ of imitation. Winckelmann famously claimed, paradoxically, that one has to imitate Greece in order to become inimitable. From a range of historical and artistic perspectives, papers map the consequences this claim had for art’s theory, practice, and body politics since the eighteenth century.

The second day will discuss the ‘nature’ of imitation, and the consequences of the ecological boundaries set for it by Winckelmann. It will explore the implications of Winckelmann’s climate theory for neoclassical geographies of art and contemporary debates on aesthetic relativism in the age of nationalism.

The conference is free of charge. Pre-registration is required. Places are limited, in particular for The British Museum ‘Walking seminar’, and therefore admission can only be granted to those with booking confirmation.

The conference is organised by Katherine Harloe (Reading University), Hans Christian Hönes (The Warburg Institute / Bilderfahrzeuge Research Group), Daniel Orrells (King’s College London) and Sadie Pickup (Christie’s). Additional support has been provided by The British Museum, the Institute of Classical Studies, and Christie’s Education.

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T H U R S D A Y ,  1 5  J U N E  2 0 1 7
King’s College London

13:00  Daniel Orrells (KCL) and Katherine Harloe (Reading), Introduction

13:15  William Fitzgerald (KCL), The Contour of Antiquity: Flaxman’s Iliad

14:00  Daniel Orrells (KCL), Visualising Antiquity in the Eighteenth Century

14:45  Coffee break

15:00  Kate Nichols (Birmingham), A Jewish Ajax in an Australian Gold Mining Town: Reforming the Classical Body in Late Victorian Visual Culture

16:00  Verity Platt (Cornell), Winckelmann’s Pharmacy: Description and the Phantasia of Restoration

16:45  Break

17:00  Whitney Davis (Berkeley), Imitation and Narcissism: Winckelmann under Psychoanalysis

18:00  Reception

F R I D A Y ,  1 6  J U N E  20 1 7
The Warburg Institute / The British Museum

10:00  Hans Christian Hönes (BFZ), Introduction

10:15  Aris Sarafianos (Ioannina/Birkbeck), Convenient Misunderstandings: Meteocultural Models in Britain, 1755–1830

11:00  Coffee break

11:30  Natasha Eaton (UCL), The Sublimity of Decline: Winckelmann in India

12:15  Athena Leoussi (Reading), Beauty and the Sun: Aesthetics and Climate in the Making of the Modern European Nations

13:00  Lunch break

14:00  Mechthild Fend (UCL), Beauty in an ‘Unusual Guise’: On Colour and Adaptation

14:45  Richard Wrigley (Nottingham), Winckelmann and Rome: An Aerial Perspective

15:30  Coffee break

16:00  Pascal Griener (Neuchatel), Winckelmann and Jacob Burckhardt: The Life of Antique Statues in the Modern Museum

16:45  Closing remarks / Roundtable

17:45  Ian Jenkins (Senior Curator of Greek and Roman Antiquities), ‘Walking Seminar’ at The British Museum

20:00  Reception

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