At Bonhams | Sèvres Vases
Pair of Sèvres hard-paste vases, decorated by the gilder Jean-Jacques Dieu, ca. 1778. Lot 217: Estimated £70,000–90,000
(Photo: Bonhams)
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Press release (9 June 2017) from Bonhams:
Fine European Ceramics
Bonhams, London, 14 June 2017
A rare pair of late 18th-century Sèvres hard-paste vases (Lot 217), made for a member of the Court of Louis XVI at Versailles, lead Bonhams Fine European Ceramics sale on Wednesday 14 June 2017. Once in the collection of the Earls Spencer, they are estimated at £70,000–90,000.
Only 13 vases of this style were ever made by the Sèvres porcelain factory. They were manufactured to order between 1778 and 1779, and buyers included the King himself and his aunt, Madame Victoire. It is believed that the pair of vases in the Bonhams sale was bought by the king and presented to his sister in law, the Comtesse d’Artois.
The vases were decorated by the prominent gilder, Jean-Jacques Dieu, whose name appears in the archives of the Sèvres porcelain manufactory between 1777 and 1811. They are richly decorated with chinoiserie sea battles—one ship on each vase bears a shield with the French royal arms—and have goats head handles. A service with comparable battle scenes is in the Wallace Collection. The only other pair of vases of this shape is in the Getty Museum.
Just over ten years after the vases were delivered to Versailles, the French Revolution broke out in 1789 and many of the aristocracy, including the Comtesse d’Artois, fled. The pair in the Bonhams sale next appear in England in the collection of diplomat William Poyntz, though how he acquired them is not known. They passed by inheritance to Poyntz’s daughter Georgina who, in 1755, had married John Spencer, later First Earl Spencer, the family of Princess Diana.
Bonhams Head of European Ceramics Nette Megens, said, “These vases are exceptionally rare and with a wonderful provenance, having been in distinguished English collections for most of their existence. Their close connection with the court of Louis XVI make them even more intriguing and attractive.”
Other items in the sale:
• A rare Capodimonte teapot and cover, ca. 1750, £15,000–20,000
• A rare tureen from the Brühl’sche Allerlei Service, ca. 1745–46, £10,000–15,000
• A large Royal Copenhagen Flora Danica dinner service, second half 20th century, £35,000–55,000.
• A large framed Berlin plaque of The Wise and Foolish Virgins, 1884, £20,000–30,000.
Display | Eighteenth-Century Pastel Portraits
From The Met:
Eighteenth-Century Pastel Portraits
The Metropolitan Museum of Art, New York, 26 July — 29 October 2017
Rosalba Carriera, Gustavus Hamilton (1710–1746), Second Viscount Boyne, in Masquerade Costume, 1730–31; pastel on paper, laid down on canvas (New York: The Metropolitan Museum of Art, 2002.22).
Pastel portraiture flourished in 18th-century Europe owing to the medium’s distinctive optical properties—its brilliant colors and warm glow. The powdery nature of pastel crayons allowed artists to bathe their sitters in flattering light. The dual nature of the paintings—realistic yet ephemeral—inspired in viewers a sense of wonder.
This exhibition will draw from a small but important group of French, Italian, German, and British pastels in the Museum’s collection. Examining works by Rosalba Carriera, Charles Antoine Coypel, Adélaïde Labille-Guiard, and other leading portraitists, it will explore the rising popularity of pastel in conjunction with artistic practices and technological advances of the day.
On view at The Met Fifth Avenue in Gallery 624.
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