Print Quarterly, June 2017
The current issue of Print Quarterly includes several items relevant to the long eighteenth century:
Print Quarterly 34.2 (June 2017)
Philibert-Louis Debucourt, National Almanac Dedicated to the Friends of the Constitution, 1790, aquatint and etching, 42.5 × 33.5 cm (Paris, Archives Nationales).
A R T I C L E S
• Lucia Simonato, “Cornelis Bloemaerts’s Estate Inventory and his Final Years,” pp. 150–61.
N O T E S
• Deborah L. Crohn, “Festival Prints (The Edible Monument),” pp. 199–201.
• Elmer Kolfin, “Coloured Prints (Afsetters en meester–afsetters: De kunst van het kleuren 1480–1720),” pp. 203–05.
• Deborah Howard, “Lost in Translation: Reinterpretation of Architectural Treatises (Traduire l’architecture),” pp. 207–09.
• Christiane Wiebel, “Karoline Luise von Baden as Collector,” pp. 209–11.
• John E. Moore, “Piranesi’s Published Books,” pp. 211–14.
• Kristel Smentek, “Ephemera in Revolutionary France (The Politics of the Provisional),” pp. 214–16.
• Martin Myrone, “William Blake (1757–1827),” pp. 217–18.
• Katarina Klaric, “Adam Buck (1759–1833),” pp. 218–21.
R E V I E W S
• Sheila O’Connell, “The Land of Cockayne and the Joys of Matrimony,” pp. 231–34.
A full contents list is available here»
Bedford Square Festival, 2017
From the Paul Mellon Centre:
Bedford Square Festival
London, 28 June — 1 July 2017
The Paul Mellon Centre is part of in the inaugural Bedford Square Festival taking place in and around the Square between 28th June and 1st July 2017.
Bedford Square Festival is a collaboration between five of the cultural institutions that reside on Bedford Square, Bloomsbury. In September of 2016, representatives from these institutions—Paul Mellon Centre, Architectural Association, Sotheby’s Institute of Art, Yale University Press, and New College of Humantities met to the discuss the idea of putting on a free collaborative event in the Square.
The aim was to work together to create a series of free events to promote the culture based around the Square whilst collaborating with each other to create a sense of community. We wanted to open the doors of the grand facades of the buildings in the Square and celebrate the themes that the Institutions are known for—Art, Publishing, Architecture, Culture, Education, Writing, and more.
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Lots of the events look fascinating, such as this one at Sotheby’s Institute of Art:
Kiddell Collection: An Object Handling Session with Elisabeth Bogdan
Sotheby’s Institute of Art, London 29 June 2017, 10am
This session is an introduction to the Kiddell Collection (also colloquially known as ‘The Black Museum’). The Collection is a fascinating accumulation of fakes, forgeries and reproductions that was built up over a number of decades by Sotheby’s Auction House former Director, Jim Kiddell, and now on permanent loan to Sotheby’s Institute. Originally formed as a pedagogic handling tool for auction house specialists, the Collection today continues to support student enquiry. Importantly, it also is of scholarly interest to specialists, scholars and collectors, who regularly use the Collection to further their knowledge, and who contribute to its evolving interpretation and authentication.
Lis Bogdan’s specialist teaching includes 18th- to 20th-century European and American design, decorative arts, and architectural history. Previously Lis was senior lecturer at Southampton Solent University, and has taught at Oxford Brookes University, the University of Wales Institute, Cardiff, and the Victoria and Albert Museum. Bogdan is a former Trustee of the Design History Society.
More information, including a full schedule, is available here»
Musée d’art Hyacinthe Rigaud to Reopen This Week
The newly renovated and expanded Hyacinthe Rigaud Art Museum in Perpignan is scheduled to open on June 24th. From Snoeck Publishers:
Musée d’art Hyacinthe Rigaud, 14th–21st Centuries (Gent: Snoeck Publishers, 2017), 214 pages, ISBN: 978 946161 3998, 25.
In 2017 the Musée d’Art Hyacinthe Rigaud is reopening. After three years of work, a renovated building now houses an enriched and restored collection, to be discovered through a completely redesigned itinerary. To accompany the rediscovery, this guide presents a selection of works chosen to reflect the diversity and excellence of this heritage. Richly illustrated, it is both a souvenir of your visit and an invitation to open the museum’s doors.
Enfilade 
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