Enfilade

New Book | Performing Enlightenment: Buddhism and Theater

Posted in books, lectures (to attend) by Editor on September 29, 2026

From Harvard UP (Professor Wang will present on the book at Yale this Thursday at 4pm as part of the China Colloquium Lecture Series) . . .

Mengxiao Wang, Performing Enlightenment: Buddhism and Theater in Early Modern China (Cambridge: Harvard University Press, 2026), 348 pages, ISBN: 978-0674303423, $53.

In early modern China, a major revival of Buddhism coincided with a surging fascination with theater. Buddhist monastics and laypeople increasingly participated in viewing, discussing, and writing plays. Far from merely serving as a medium for conveying religious teachings and practices, drama became a source of deep concern for Buddhists due to the perceived tension between spiritual discipline and worldly entertainment.

In Performing Enlightenment, Mengxiao Wang examines how Buddhist clerics and laity engaged with and drove innovations in theater during the late Ming and early Qing dynasties. Drawing on an extensive range of sources—including clerical sermons, scriptural commentaries, temple gazetteers, morality books, literati prose, and dramatic texts and paratexts—Wang argues that Ming-Qing Buddhists resolved the conflict between religion and entertainment by transforming theater into a creative mode of devotional practice. Consequently, playwriting, stage performance, and theatergoing all emerged as legitimate pathways to spiritual enlightenment. This interdisciplinary work provides fresh insights into Chinese studies, Buddhist studies, and theater studies while offering a comparative perspective on the complex interplay between religion, literature, and performance across cultures.

Mengxiao Wang is Assistant Professor of Chinese Literature at the University of Southern California. She received her PhD from Yale University and was the Sheng Yen Postdoctoral Fellow in Chinese Buddhism at UC Berkeley.

c o n t e n t s

List of Figures and Tables
Acknowledgments
List of Abbreviations
Note to the Reader

Introduction
1  Forbidding Theater
2  Philosophizing Theater
3  Playwright as Buddha
4  Drama as Scripture
5  Staging as Ritual
Coda

Appendix 1  Translation of Zhuhong’s “Jiyue”
Appendix 2  Translation of Zhida’s “Xiju gongtong”
Appendix 3  Plot Synopsis for Tanhuaji
Appendix 4  Plot Synopsis for Guiyuanjing
Appendix 5  Extant Editions of Guiyuanjing

Bibliography

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