Chrisman-Campbell, “When Fashion Set Sail” at Worn Through

Posted in journal articles, resources, today in light of the 18th century by Editor on March 26, 2013

It’s been too long since I’ve noted offerings at Worn Through, a blog that addresses apparel from an academic perspective. In addition to a Call for Papers for the Annual Meeting of the Costume Society of America (Midwest Region) on the theme of Uncommon Beauty, recent postings include an interesting contribution from Kimberly Chrisman-Campbell on maritime headdresses: “When Fashion Set Sail.” -CH

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Kimberly Chrisman-Campbell, “When Fashion Set Sail,” Worn Through (20 March 2013).

Anonymous, Coëffure à l’Indépendance ou le Triomphe de la liberté, c. 1778, Musée franco-américain du château de Blérancourt

Anonymous, Coëffure à l’Indépendance ou le Triomphe de la liberté, ca. 1778, Musée franco-américain du château de Blérancourt

One of the most iconic images of eighteenth-century extravagance is a fashion plate depicting a lady wearing a miniature ship in her powdered and pomaded hair.

But this much-misunderstood hairstyle was not just an eye-catching novelty. It was one of many ship-shaped headdresses that celebrated specific French naval victories and, more importantly, advertised their wearers’ patriotism and political acumen.

Far from being the whimsical caprice of bored aristocrats, these maritime modes were directly inspired by one of the defining political and philosophical issues of the day: America’s struggle for independence, in which France was a key military and political ally.

The full posting is available here»

Call for Papers | Uncommon Beauty

Posted in Calls for Papers by Editor on March 26, 2013

From The Costume Society of America:

Uncommon Beauty | Annual Meeting of the Costume Society of America, Midwest Region
Chicago, 20-21 September 2013

Proposals due by 10 April 2013

uncommonThe Midwest Region of the Costume Society of America seeks original presentations on topics of Uncommon Beauty. Potential presenters will respond with topics that emerge from seeing beauty with an open mind and an open eye. This could include inquiry into the urban, the “fringe,” the utilitarian, the ethnic, the diverse, the modern, and the very individual. Topics are generated by interest in current or historical fashion, the body, and garments. Your original as well as your traditional academic approaches to presentation of information and images will create an uncommonly inspiring weekend of inquiry and exchange. Uncommon methods of presentation are encouraged, including poetic and literary elements. Garment makers are welcome to present applied and three-dimensional research.

Topics are also sought for exploration in the Ideas Theater, which will provide an informal venue to engage attendees in lively discussions about issues that matter to you now. Spotlight-worthy submissions may include research dilemmas, teaching methods, interpretive strategies, and theater costume or fashion design processes. Although poster presentations and slideshows will be considered, topic presenters are encouraged to consider hands-on activities, quick surveys or games, dance or role-playing, and other imaginative scenarios to involve participants.

Requirements: Proposals are invited for 20-minute oral presentations and Idea Theater topics. Abstracts must be no longer than two typed, double-spaced pages, including endnotes. The top of the first page should include only the title (no names). All proposals should include a cover page with working title, name, address, telephone number, email address, and professional affiliation. Please identify your proposal as an oral presentation or Idea Theater topic.

The organizers encourage papers from established professionals, early career scholars, independent researchers, garment makers, and students. Please identify student papers on the cover page. Abstracts are due by April 10, 2013, to Jacqueline WayneGuite at csachicago2013@gmail.com. For more information about the symposium, contact Caroline Bellios at csachicago2013@gmail.com.

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