Enfilade

New Title | Houghton Revisited: The Walpole Masterpieces

Posted in books, catalogues by Editor on March 29, 2013

The catalogue for the Houghton Revisited exhibition should be available soon. From Artbooks.com:

Thierry Morel, Larissa Dukelskaya, John Harris, and Andrew Moore, Houghton Revisited: The Walpole Masterpieces from Catherine the Great’s Hermitage (London: Royal Academy of Arts, 2013), 256 pages, ISBN: 978-1907533501, £40 / $85.

123934In 1779 the family of Sir Robert Walpole, Britain’s first prime minister, sold his remarkable art collection to Catherine the Great, Empress of Russia. More than two centuries later, these masterpieces, rarely seen outside Russia since that time, are returning to Houghton Hall, the great house built by Walpole. This handsome book illustrates these superlative works hanging once again in William Kents magnificent interiors. Thierry Morel uncovers the wonders of Walpole’s collection, which includes paintings by Van Dyck, Poussin, Rubens and Rembrandt, and traces its journey to the State Hermitage Museum in St Petersburg, to which most of the works now belong. Other essays explore Walpole’s artistic tastes and collecting habits, and his beautiful house, one of the finest Palladian buildings in England.

Call for Papers | CAA in Chicago 2014

Posted in Calls for Papers by Editor on March 29, 2013

The following represents a selection of panels that might be of interest for scholars of the eighteenth century, though readers are encouraged to consult the full Call for Papers. HECAA members are asked to pay special attention to the session organized by Kevin Chua ‘After the Secular: Art and Religion in the Eighteenth Century’ and the ‘New Scholars Session,’ chaired by Kristel Smentek. Proposals for minor sessions (90-minute panels) typically have a slightly later due date; so stay tuned. -CH

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102nd Annual Conference of the College Art Association
Chicago, 12-15 February 2014

Proposals due by 13 May 2013 (extended from 6 May 2013)

The 2014 Call for Participation for the 101st Annual Conference, taking place February 12–15 in Chicago, describes many of next year’s programs sessions. CAA and the session chairs invite your participation: please follow the instructions in the booklet to submit a proposal for a paper or presentation. This publication also includes a call for Poster Session proposals and describes the seven Open Forms sessions.

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Historians of Eighteenth-Century Art and Architecture
After the Secular: Art and Religion in the Eighteenth Century
Kevin Chua, Texas Tech University, kevin.chua@ttu.edu
Religious art of the eighteenth century has long been framed within a narrative of secularization. It was thought that, with modernization, societies would move away from religious values to embrace secular ones. Yet scholars such as Charles Taylor, Talal Asad, and Hent de Vries have questioned this dominant narrative. Not only has secularization been shown to be not the end point of modernization, it has proven to be, perhaps, the last progress narrative that we need to unbind. This panel seeks papers on religious art, visual culture, and architecture that trouble the old secularization narrative, and come to grips with the paradoxical efflorescence of religion in the eighteenth century. Papers might address the contradictory place of art between the flourishing of marginal religions and the public sphere, engage the various “returns” of religion in and for art, and rethink the supposedly unidirectional shift from “religious” to “secular” worlds in aesthetic media.

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Historians of Eighteenth-Century Art and Architecture
New Scholars Session
Kristel Smentek, Massachusetts Institute of Technology, smentek@mit.edu

The Historians of Eighteenth-Century Art and Architecture (HECAA) invite paper proposals from advanced doctoral students and recent PhDs that present innovative approaches to the interpretation of the art, architecture, and material culture of the global eighteenth century. Presenters selected for this session are expected to become members of HECAA before the conference.

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