Enfilade

New Book | The Server: A Media History

Posted in books by Editor on August 19, 2018

The original German edition Der Diener: Mediengeschichte einer Figur zwischen König und Klient appeared in 2011; the English translation was published in June by Yale UP:

Markus Krajewski, The Server: A Media History from the Present to the Baroque, translated by Ilinca Iurascu (New Haven: Yale University Press, 2018), 456 pages, ISBN: 978-0300180817, $50.

Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current-day digital drudges called servers? Markus Krajewski explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants’ relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and literature, this work recounts the gradual transition of agency from human to nonhuman actors to show how the concept of the digital server stems from the classic role of the servant.

Markus Krajewski is professor of media history at the University of Basel, Switzerland. He is the author of numerous articles and several books, including Paper Machines: About Cards and Catalogs, 1548–1929 and World Projects: Global Information Before World War I, which was awarded the 2007 Prize of the German Society for the History of Medicine, Science and Technology. He also works as a software developer and maintainer of his bibliography software Synapsen: A Hypertextual Card Index (www.synapsen.ch). Ilinca Iurascu is assistant professor of German at the University of British Columbia, specializing in nineteenth-century cultural studies and media theory.

C O N T E N T S

Ilinca Iurascu, Introduction to the English Edition: Jeeves Transatlantic

Introduction: Listen, James

Part One: Objects Assistants, Analog
1  Masters / Servants: Everyone is a Subaltern
2  The Servant as Information Center
3  In Waiting

Part Two: The Interregnum of the Subject
4  Holding the Reins: On Demons and Other Ministering Spirits of Science
5  Channel Service
6  At the Stove

Part Three: Diener, Digital
7  Agents: The Lord of (the) Things

Epilogue: Idle Time

Notes
Bibliography
Index

Exhibition | The Furniture of Isaac Vose

Posted in books, catalogues, exhibitions by Editor on August 19, 2018

Now on view at the Massachusetts Historical Society:

Entrepreneurship and Classical Design in Boston’s South End: The Furniture of Isaac Vose and Thomas Seymour, 1815–1825
Massachusetts Historical Society, Boston, 11 May — 14 September 2018

Virtually forgotten for 200 years, Isaac Vose and his brilliant furniture are revealed in a new exhibition and accompanying volume. Beginning with a modest pair of collection boxes he made for his local Boston church in 1788, Vose went on to build a substantial business empire and to make furniture for the most prominent Boston families. The exhibition and catalog restore Vose from relative obscurity to his rightful position as one of Boston’s most important craftsmen.

Robert Mussey and Clark Pearce, Rather Elegant Than Showy: The Classical Furniture of Isaac Vose (Boston: David R Godine, 2018), 312 pages, ISBN: 978-1567926194, $50.

C O N T E N T S

Dennis M. Fiori
Foreword

Robert D. Mussey, Jr.
• Introduction: Isaac Vose Forgotten, Rediscovered
• Early Career and Partnerships, 1788–1819
• Boston’s Classical Style Matures: The Salisbury Group
• The Global Elite: Vose & Son and the World of Imports
• Demanding the Finest
• A Hero Returns, an Era Ends

Clark Pearce
• By These Signs You Will Know Them: Connoisseurship and Construction of Vose Furniture

Appendix 1: Labeled, Signed, and Documented Furniture by Isaac Vose
Appendix 2: Vose’s Partners, Journeymen, Subcontractors, and Apprentices

Index
Colophon