Exhibition | Before the Deluge: Apocalyptic Floodscapes

Posted in exhibitions by Editor on November 15, 2018

John Martin, The Deluge, 1834, oil on canvas, 66 × 102 inches
(New Haven: Yale Center for British Art, Paul Mellon Collection, B1978.43.11)

◊  ◊  ◊  ◊  ◊

Opening next month at the YCBA:

Before the Deluge: Apocalyptic Floodscapes from John Martin to John Goto, 1789 to Now
Yale Center for British Art, New Haven, 18 December 2018 — 24 March 2019

Curated by Eva Mebius, with Matthew Hargraves

This exhibition will explore how the idea of the Deluge has been represented and interpreted by British artists and writers from the end of the eighteenth century to the present day. It will consider the diverse ways they have responded to accounts of both biblical and mythological, and real and fictional, floods and the political ends to which this theme has been used in their respective historical contexts. Drawing on the Center’s collections of prints and drawings, photographs, and rare books and manuscripts, Before the Deluge will examine the connections between our own sense of antediluvianism and that of earlier times, charting the artistic representation of apocalyptic floods, and the scientific and political debates about the Deluge to which these writers and artists contributed. From John Martin’s Deluge, one of the most sensational images of the Romantic age, to the diluvian reimagining of the eighteenth-century English landscape by contemporary artist John Goto, we see the floodwaters rise and recede, only to seep back once again. However, Before the Deluge will also consider how proximity to water and its threat inspired human ingenuity through various objects, such as paper peepshows of the Thames tunnel, and blueprints for bridges and canals. The fragile relationship between human civilization and the water that sustains or destroys us has perhaps never been more apparent than at the present moment.

%d bloggers like this: