Enfilade

Exhibition | Thomas Gainsborough: Drawings at the Clark

Posted in exhibitions by Editor on November 29, 2018

Thomas Gainsborough, Landscape with Herdsman Driving Cows and Distant Buildings, mid to late 1780s, black chalk over brush and gray wash with lead white on beige laid paper, fixed with gum (Williamstown: The Clark Art Institute, gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.77).

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From The Clark:

Thomas Gainsborough: Drawings at the Clark
The Clark Art Institute, Williamstown, Massachusetts, 1 December 2018 — 17 March 2019

Though recognized as one of the most fashionable portrait painters of the eighteenth century, Thomas Gainsborough (1727–1788) made hundreds of drawings of the English landscape. Abounding with foliage, cottages, and pastoral figures—shepherds driving flocks of sheep and cows drinking from pools or streams along meandering paths—Gainsborough’s landscapes present an idealized view of country life. Rather than depicting specific locales, these lyrical sheets evoke the gentle woodland and heath of his native Suffolk, in the east, and later, the mountainous Lake District of Cumbria, in the northwest. Thomas Gainsborough: Drawings at the Clark reveals the artist’s fascination with mixed-media technique: graphite, chalks, ink washes, watercolor, and oil paints intermingle on toned papers. Together, the sixteen drawings on view in the Clark’s Manton Gallery for British Art demonstrate how Gainsborough championed an imaginative approach over naturalistic detail and reveal his fascination with mixed-media technique.

The Clark Acquires Lethière’s ‘Brutus Condemning His Sons’

Posted in museums by Editor on November 29, 2018

Guillaume Lethière, Brutus Condemning His Sons to Death, 1788, oil on canvas, 23 × 39 inches
(Williamstown: The Clark Art Institute, 2018.1.1)

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In May the Clark announced this acquisition; the painting is now on display. From the press release:

For the first time since acquiring Guillaume Guillon Lethière’s masterpiece, Brutus Condemning His Sons to Death, the Clark presents the painting in its permanent collection galleries. The painting was acquired at auction in spring 2018 along with a preparatory drawing by Lethière (c. 1788) and a stipple engraving dated 1794 by Pierre Charles Coqueret (Paris, 1761–1832) after Lethière’s painting. All three works are on view in a special installation in the Clark’s permanent collection galleries. . . .

The full press release is available here